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ABOUT THE AUTHOR
Walt McDonald
Walt McDonald
Walt McDonald was born in 1934 in Texas. In addition to serving...
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FURTHER READING
Poems about Dancing
A Peacock in Spring
by Joyelle McSweeney
Complaint of Isadora Duncan's Scarf
by Charles Jensen
Latin & Soul
by Victor Hernández Cruz
M. Degas Teaches Art & Science at Durfee Intermediate School, Detroit 1942
by Philip Levine
My Papa's Waltz
by Theodore Roethke
The Dance
by Humberto Ak'Abal
Two Pages, 122 Words on Music and Dance
by John Cage, read by Susan Howe
Poems about Music
A Book Of Music
by Jack Spicer
A Score for Tourist Movies
by Mary Austin Speaker
Alexander's Feast; or, the Power of Music
by John Dryden
B-Sides from my Idol Tryouts
by Harmony Holiday
Beagle or Something
by April Bernard
Fiddler Jones
by Edgar Lee Masters
Go Greyhound
by Bob Hicok
Here and Now
by Stephen Dunn
Honky Tonk in Cleveland, Ohio
by Carl Sandburg
Hymn to God, My God, in My Sickness
by John Donne
Hymn to the Night
by Henry Wadsworth Longfellow
Interlude: Still Still
by Robin Behn
Latin & Soul
by Victor Hernández Cruz
Little Fugue
by Marianne Boruch
Lost Fugue for Chet
by Lynda Hull
Lullaby in Blue
by Betsy Sholl
On 52nd Street
by Philip Levine
Passing Through Albuquerque
by John Balaban
Record
by Katrina Vandenberg
Street Music
by Robert Pinsky
The Banjo Player
by Fenton Johnson
The Day Duke Raised: May 24th, 1974
by Quincy Troupe
The Everyday Enchantment of Music
by Mark Strand
The Guitar
by Federico García Lorca
The Last Evening
by Steven Kronen
The Owl and the Pussy-Cat
by Edward Lear
The Supremes
by Mark Jarman
The Weary Blues
by Langston Hughes
The World Doesn’t Want Me Anymore, and it Doesn’t Know It
by Sean Singer
Two Pages, 122 Words on Music and Dance
by John Cage, read by Susan Howe
Untitled
by David Meltzer
Water Music
by Robert Creeley
Pockets
A Sock Is a Pocket for Your Toes [excerpt]
by Elizabeth Garton Scanlon
At the Playground, Singing for Psychiatric Outpatients
by Peter Everwine
At the Public Market Museum: Charleston, South Carolina
by Jane Kenyon
Blankets of Bark
by Sherwin Bitsui
Broadway
by Mark Doty
Chaplinesque
by Hart Crane
Go Greyhound
by Bob Hicok
Gospel
by Philip Levine
Inventing Father In Las Vegas
by Lynn Emanuel
Pockets
by Howard Nemerov
Regarding Chainsaws
by Hayden Carruth
Two Countries
by Naomi Shihab Nye
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The Waltz We Were Born For

 
by Walt McDonald

I never knew them all, just hummed
and thrummed my fingers with the radio,
driving five hundred miles to Austin.
Her arms held all the songs I needed.
Our boots kept time with fiddles
and the charming sobs of blondes,

the whine of steel guitars
sliding us down in deer-hide chairs
when jukebox music was over.
Sad music's on my mind tonight
in a jet high over Dallas, earphones
on channel five. A lonely singer,

dead, comes back to beg me,
swearing in my ears she's mine,
rhymes set to music that make
her lies seem true. She's gone
and others like her, leaving their songs
to haunt us. Letting down through clouds

I know who I'll find waiting at the gate,
the same woman faithful to my arms
as she was those nights in Austin
when the world seemed like a jukebox,
our boots able to dance forever,
our pockets full of coins.






From Whatever the Wind Delivers by Walt McDonald. Copyright © 1999 by Texas Tech University Press. Reprinted by permission of the publishers. All rights reserved.
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