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FURTHER READING
Related Prose
Ekphrasis: Poetry Confronting Art
Other Ekprastic Poems
Purgatorio, Canto X
by Dante Alighieri
The Iliad, Book XVIII, ["The Shield of Achilles"]
by Homer
Archaic Torso of Apollo
by Rainer Maria Rilke
Die Muhle Brennt--Richard
by Richard Matthews
Joseph Cornell, with Box
by Michael Dumanis
Landscape With The Fall of Icarus
by William Carlos Williams
Messieur Degas Teaches Art and Science at Durfy Intermediate School, Detroit 1942
by Philip Levine
Museum Guard
by David Hernandez
Ode on a Grecian Urn
by John Keats
On Seeing the Elgin Marbles
by John Keats
On the Medusa of Leonardo Da Vinci in the Florentine Gallery
by Percy Bysshe Shelley
Photograph of People Dancing in France
by Leslie Adrienne Miller
Seeing All the Vermeers
by Alfred Corn
Stealing The Scream
by Monica Youn
The Family Photograph
by Vona Groarke
The Mad Potter
by John Hollander
The Painting
by John Balaban
The Picture of Little T. C. in a Prospect of Flowers
by Andrew Marvell
The Shield of Achilles
by W. H. Auden
To Haydon with a Sonnet Written on Seeing the Elgin Marbles
by John Keats
Why knowing is (& Matisse's Woman with a Hat)
by Martha Ronk
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War Photograph  
by Kate Daniels

A naked child is running 

along the path toward us,
her arms stretched out,
her mouth open,
the world turned to trash
behind her.

She is running from the smoke
and the soldiers, from the bodies
of her mother and little sister
thrown down into a ditch,
from the blown-up bamboo hut
from the melted pots and pans.
And she is also running from the gods
who have changed the sky to fire
and puddled the earth with skin and blood.
She is running--my god--to us,
10,000 miles away,
reading the caption
beneath her picture
in a weekly magazine.
All over the country
we're feeling sorry for her
and being appalled at the war
being fought in the other world.
She keeps on running, you know,
after the shutter of the camera
clicks. She's running to us.
For how can she know,
her feet beating a path
on another continent?
How can she know
what we really are?
From the distance, we look
so terribly human.




From A Chorus for Peace: A Global Anthology of Poetry by Women, edited by Marilyn Arnold, Bonnie Ballif-Spanvill, and Kristen Tracy, published by the University of Iowa Press. Copyright © 2002 by the University of Iowa Press. All rights reserved.
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