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ABOUT THE AUTHOR
Aimé Césaire
Aimé Césaire
Aimé Césaire was born June 25, 1913, in Basse-Pointe, a small town...
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FURTHER READING
Poems About Home
9773 Comanche Ave.
by David Trinidad
Birthplace
by Michael Cirelli
Daily
by Naomi Shihab Nye
Dusting
by Marilyn Nelson
Fishing on the Susquehanna in July
by Billy Collins
He Foretells His Passing
by F. D. Reeve
Home is so Sad
by Philip Larkin
My House, I Say
by Robert Louis Stevenson
On the Disadvantages of Central Heating
by Amy Clampitt
Otherwise
by Jane Kenyon
Proclamation
by Stuart Dischell
Psalm of Home Redux
by David Lee
Steppingstone
by Andrew Hudgins
Sysiphusina
by Shira Dentz
Te Deum
by Charles Reznikoff
The Afternoon Sun
by C. P. Cavafy
The Bedroom
by Paula Bohince
The Cabbage
by Ruth Stone
The Lake Isle of Innisfree
by W. B. Yeats
This Is Just To Say
by William Carlos Williams
Untitled [I grew up in North Adams]
by Brenda Iijima
Wonder Cabinet
by Tina Chang
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Notebook of a Return to the Native Land [excerpt]

 
by Aimé Césaire
translated by Annette Smith and Clayton Eshleman

   At the end of daybreak. . .
   Beat it, I said to him, you cop, you lousy pig, beat it, 
I detest the flunkies of order and the cockchafers of hope. 
Beat it, evil grigri, you bedbug of a petty monk. Then I turned 
toward paradises lost for him and his kin, calmer than the face 
of a woman telling lies, and there, rocked by the flux of a 
never exhausted thought I nourished the wind, I unlaced the 
monsters and heard rise, from the other side of disaster, a 
river of turtledoves and savanna clover which I carry forever 
in my depths height-deep as the twentieth floor of the most 
arrogant houses and as a guard against the putrefying force 
of crepuscular surroundings, surveyed night and day by a cursed 
venereal sun.

   At the end of daybreak burgeoning with frail coves, the hungry 
Antilles, the Antilles pitted with smallpox, the Antilles dyn-
amited by alcohol, stranded in the mud of this bay, in the dust 
of this town sinisterly stranded.

   At the end of daybreak, the extreme, deceptive desolate eschar 
on the wound of the waters; the martyrs who do not bear witness; 
the flowers of blood that fade and scatter in the empty wind 
like the screeches of babbling parrots; an aged life mendacious-
ly smiling, its lips opened by vacated agonies; an aged poverty 
rotting under the sun, silently; an aged silence bursting with 
tepid pustules,
   the awful futility of our raison d'être.

   At the end of daybreak, on this very fragile earth thickness 
exceeded in a humiliating way by its grandiose future—the vol-
canoes will explode, the naked water will bear away the ripe 
sun stains and nothing will be left but a tepid bubbling pecked 
at by sea birds—the beach of dreams and the insane awakening.

   At the end of daybreak, this town sprawled-flat, toppled from 
its common sense, inert, winded under its geometric weight of 
an eternally renewed cross, indocile to its fate, mute, vexed 
no matter what, incapable of growing with the juice of this 
earth, self-conscious, clipped, reduced, in breach of fauna 
and flora. 






Excerpted from "Notebook of a Return to the Native Land" by Aime Césaire, translated by Clayton Eshleman and Annette Smith. Copyright © 2001 by Aime Césaire. Used with permission by Wesleyan University Press. All rights reserved.
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