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 | ABOUT THE AUTHOR |
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| Yusef Komunyakaa |
Poet Yusef Komunyakaa first received wide recognition following the 1984 publication of Copacetic, a collection of poems built from colloquial speech which demonstrated his incorporation of jazz influences... More > |
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Poems About Tragedy and Grief |
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Adonais, 49-52, [Go thou to Rome] by Percy Bysshe Shelley |
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Hamlet, Act III, Scene I [To be, or not to be] by William Shakespeare |
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Against Elegies by Marilyn Hacker |
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Alabanza: In Praise of Local 100 by Martín Espada |
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Assault to Abjury by Raymond McDaniel |
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Before by Carl Adamshick |
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Breaking Across Us Now by Katie Ford |
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Curtains by Ruth Stone |
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Dear Lonely Animal, by Oni Buchanan |
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Easter 1916 by W. B. Yeats |
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Eulogy by Kevin Young |
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Fairbanks Under the Solstice by John Haines |
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Hum by Ann Lauterbach |
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I Can Afford Neither the Rain by Holly Iglesias |
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I measure every Grief I meet (561) by Emily Dickinson |
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I Pack Her Suitcase with Sticks, Light the Tinder, and Shut the Lid by Rob Schlegel |
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In Louisiana by Albert Bigelow Paine |
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Lycidas by John Milton |
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Memorial Day for the War Dead by Yehuda Amichai |
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On His Deceased Wife by John Milton |
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Ozymandias by Percy Bysshe Shelley |
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Quiet Mourning by Laura Moriarty |
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Requiescat by Matthew Arnold |
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Richard Cory by Edwin Arlington Robinson |
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Rose Aylmer by Walter Savage Landor |
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September 1, 1939 by W. H. Auden |
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Stillbirth by Laure-Anne Bosselaar |
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Surprised By Joy by William Wordsworth, read by Susan Stewart |
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That This by Susan Howe |
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The Dead by Joan Aleshire |
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The Gaffe by C. K. Williams |
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The Hour and What Is Dead by Li-Young Lee |
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The Not Tale (Funeral) by Caroline Bergvall |
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The Second Coming by W. B. Yeats |
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The Stolen Child by W. B. Yeats |
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The Widow's Lament in Springtime by William Carlos Williams |
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To W.C.W. M.D. by Alfred Kreymborg |
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| Facing It
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by Yusef Komunyakaa |
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My black face fades,
hiding inside the black granite.
I said I wouldn't,
dammit: No tears.
I'm stone. I'm flesh.
My clouded reflection eyes me
like a bird of prey, the profile of night
slanted against morning. I turn
this way--the stone lets me go.
I turn that way--I'm inside
the Vietnam Veterans Memorial
again, depending on the light
to make a difference.
I go down the 58,022 names,
half-expecting to find
my own in letters like smoke.
I touch the name Andrew Johnson;
I see the booby trap's white flash.
Names shimmer on a woman's blouse
but when she walks away
the names stay on the wall.
Brushstrokes flash, a red bird's
wings cutting across my stare.
The sky. A plane in the sky.
A white vet's image floats
closer to me, then his pale eyes
look through mine. I'm a window.
He's lost his right arm
inside the stone. In the black mirror
a woman's trying to erase names:
No, she's brushing a boy's hair.
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From Dien Cai Dau by Yusef Komunyakaa. Copyright © 1988 by Yusef Komunyakaa. Reprinted by permission of Wesleyan University Press. All rights reserved. |
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