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James Tate was the winner of the second Wallace Stevens Award. The $100,000 award recognizes outstanding and proven mastery in the art of poetry. The judges for the 1995 Wallace Stevens Award were
John Ashbery,
Jorie Graham, and
Charles Simic. John
Ashbery wrote the following citation.
It seem especially appropriate that James Tate has won this year's
Tanning Prize [Wallace Stevens Award]. Dorothea Tanning, who established the prize in 1994, was
born in the Midwest and moved to Paris with her husband Max Ernst, one
of the founders of the Surrealist movement in painting; Tanning's own
paintings are Surrealist, sometimes dark and haunted, but also tinged
with eroticism and a witty sensuality. Tate, born in Kansas City, landed
in New England where he has developed a homegrown variety of Surrealism
almost in his own backyard, which figures frequently in his poetry. Both
Tanning and Tate refute the idea of Surrealism as something remote from
daily experince, a hermetic art for a privileged few. For both,
Surrealism is something very like the air we breathe, the unconscious
mind erupting in one-on-one engagements with the life we all live, every
day. Tate's originality was confirmed almost thirty years ago when his
book The Lost Pilot won the Yale Younger Poets Award. (A
line from that book read: "Everything is relevant. I call it
loving.") More recently, his books have gained him the Pulitzer
Prize and the National Book Award, testifying to the broad appeal of his
wonderfully eccentric and generous poetry. "The lost pilot" is still taking us to places we never knew existed, places where we want to stay.
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