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ABOUT THE AUTHOR
Robert Creeley
Robert Creeley
Robert Creeley was born in Arlington, Massachusetts, on May 21, 1926. He attended...
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FURTHER READING
Poems About Aging
Abandonment Under the Walnut Tree
by D. A. Powell
Affirmation
by Donald Hall
Age and Death
by Emma Lazarus
Almost Sixty
by Jim Moore
Beyond the Years
by Paul Laurence Dunbar
Blues
by Elizabeth Alexander
Demeter in Paris
by Meghan O'Rourke
El Dorado
by Edgar Allan Poe
Fear of the Future
by John Koethe
First Gestures
by Julia Spicher Kasdorf
Fixed Interval
by Devin Johnston
Forgetfulness
by Billy Collins
Gerontion
by T.S. Eliot
In View of the Fact
by A. R. Ammons
Looking Back in My Eighty-First Year
by Maxine Kumin
Moonlight
by Sara Teasdale
My Lost Youth
by Henry Wadsworth Longfellow
Poem at Thirty
by Michael Ryan
Quiet
by Tony Hoagland
Refusing at Fifty-Two to Write Sonnets
by Thomas Lynch
Self-Portrait
by Adam Zagajewski
Since Nine—
by C. P. Cavafy
The Chicago Poem
by Jerome Rothenberg
The Edges of Time
by Kay Ryan
The Human Seasons
by John Keats
The Tower
by W. B. Yeats
The Widows of Gravesend
by L. S. Asekoff
The Young Man's Song
by W. B. Yeats
this kind of fire
by Charles Bukowski
To Chloe: Who for his sake wished herself younger
by William Cartwright
To Earthward
by Robert Frost
to my last period
by Lucille Clifton
To Think of Time
by Walt Whitman
Two Horses and a Dog
by James Galvin
When You are Old
by W. B. Yeats
Other Odes
America
by Robert Creeley
America
by Herman Melville
Flying Fish: An Ode [excerpt]
by Charles Wharton Stork
Ode on Dictionaries
by Barbara Hamby
Ode on Intimations of Immortality from Recollections of Early Childhood
by William Wordsworth
Ode on My Episiotomy
by Kimberly Johnson
Ode on Periods
by Bernadette Mayer
Ode to a Nightingale
by John Keats
Ode to My Hands
by Tim Seibles
Ode to Spring
by Frederick Seidel
Ode to the Confederate Dead
by Allen Tate
The Quaker Graveyard in Nantucket
by Robert Lowell
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Age

 
by Robert Creeley

Most explicit--
the sense of trap

as a narrowing
cone one's got

stuck into and
any movement

forward simply
wedges once more--

but where
or quite when,

even with whom,
since now there is no one

quite with you--Quite? Quiet?
English expression: Quait?

Language of singular
impedance? A dance? An

involuntary gesture to
others not there? What's

wrong here? How
reach out to the

other side all
others live on as

now you see the
two doctors, behind

you, in mind's eye,
probe into your anus,

or ass, or bottom,
behind you, the roto-

rooter-like device
sees all up, concludes

"like a worn-out inner tube,"
"old," prose prolapsed, person's

problems won't do, must
cut into, cut out . . .

The world is a round but
diminishing ball, a spherical

ice cube, a dusty
joke, a fading,

faint echo of its
former self but remembers,

sometimes, its past, sees
friends, places, reflections,

talks to itself in a fond,
judgemental murmur,

alone at last.
I stood so close

to you I could have
reached out and

touched you just
as you turned

over and began to
snore not unattractively,

no, never less than
attractively, my love,

my love--but in this
curiously glowing dark, this

finite emptiness, you, you, you
are crucial, hear the

whimpering back of
the talk, the approaching

fears when I may
cease to be me, all

lost or rather lumped
here in a retrograded,

dislocating, imploding
self, a uselessness

talks, even if finally to no one,
talks and talks.






From Selected Poems by Robert Creeley. Copyright © 1991 by The Regents of the University of California. All rights reserved. Used with permission. Originally published in Windows (New Directions, 1990).
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