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ABOUT THE AUTHOR
Norman Dubie
Norman Dubie
Norman Dubie said that he aims to "challenge whatever the assumed limits of the lyric are." He is well known for poems which invoke the characters and voices of other writers and artists such as Chekhov, Proust, Ingmar Bergman, Rodin, and many others...
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FURTHER READING
Poems About War
From War Is Kind
by Stephen Crane
The Iliad, Book I, Lines 1-15
by Homer
April 27, 1937
by Timothy Steele
Death Fugue
by Paul Celan
Dulce et Decorum Est
by Wilfred Owen
Eighth Air Force
by Randall Jarrell
For the Union Dead
by Robert Lowell
from War Music (an account of books 16-19 of Homer's Iliad)
by Christopher Logue
I Have a Rendezvous with Death
by Alan Seeger
I Hear an Army
by James Joyce
Memorial Day for the War Dead
by Yehuda Amichai
My Father on His Shield
by Walt McDonald
Spoken From the Hedgerows
by Jorie Graham
The Fall of Rome
by W. H. Auden
The Star-Spangled Banner
by Francis Scott Key
The War Works Hard
by Dunya Mikhail
Woman Martyr
by Agi Mishol
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The Czar's Last Christmas Letter: A Barn in the Urals  
by Norman Dubie

You were never told, Mother, how old Illya  was drunk

That last holiday, for five days and nights

He stumbled through Petersburg forming
A choir of mutes, he dressed them in pink ascension gowns

And, then, sold Father's Tirietz stallion so to rent
A hall for his Christmas recital: the audience

Was rowdy but Illya in his black robes turned on them
And gave them that look of his; the hall fell silent

And violently he threw his hair to the side and up
Went the baton, the recital ended exactly one hour

Later when Illya suddenly turned and bowed
And his mutes bowed, and what applause and hollering

Followed.
All of his cronies were there!

Illya told us later that he thought the voices
Of mutes combine in a sound

Like wind passing through big, winter pines.
Mother, if for no other reason I regret the war

With Japan for, you must now be told,
It took the servant, Illya, from us. It was confirmed.

He would sit on the rocks by the water and with his stiletto
Open clams and pop the raw meats into his mouth

And drool and laugh at us children.
We hear guns often, now, down near the village.

Don't think me a coward, Mother, but it is comfortable
Now that I am no longer Czar. I can take pleasure

From just a cup of clear water. I hear Illya's choir often.
I teach the children about decreasing fractions, that is

A lesson best taught by the father.
Alexandra conducts the French and singing lessons.

Mother, we are again a physical couple.
I brush out her hair for her at night.

She thinks that we'll be rowing outside Geneva
By the spring. I hope she won't be disappointed.

Yesterday morning while bread was frying
In one corner, she in another washed all of her legs

Right in front of the children. I think
We became sad at her beauty. She has a purple bruise

On an ankle.
Like Illya I made her chew on mint.

Our Christmas will be in this excellent barn.
The guards flirt with your granddaughters and I see...

I see nothing wrong with it. Your little one, who is
Now a woman, made one soldier pose for her, she did

Him in charcoal, but as a bold nude. He was
Such an obvious virgin about it; he was wonderful!

Today, that same young man found us an enormous azure
And pearl samovar. Once, he called me Great Father

And got confused.
He refused to let me touch him.

I know they keep your letters from us. But, Mother,
The day they finally put them in my hands

I'll know that possessing them I am condemned
And possibly even my wife, and my children.

We will drink mint tea this evening.
Will each of us be increased by death?

With fractions as the bottom integer gets bigger, Mother, it
Represents less. That's the feeling I have about

This letter. I am at your request, The Czar.
And I am Nicholas.



From Selected and New Poems, published by W.W. Norton & Co., 1983. Copyright © 1983 by Norman Dubie. All rights reserved. Used with permission.
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