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ABOUT THE AUTHOR
Mark Doty
Mark Doty
Mark Doty was born in 1953. He is the author of several books of poems, including School of the Arts, Source, Sweet Machine, and Atlantis, which received the Ambassador Book Award...
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FURTHER READING
Pockets
A Sock Is a Pocket for Your Toes (an excerpt)
by Elizabeth Garton Scanlon
At the Playground, Singing for Psychiatric Outpatients
by Peter Everwine
At the Public Market Museum: Charleston, South Carolina
by Jane Kenyon
Blankets of Bark
by Sherwin Bitsui
Chaplinesque
by Hart Crane
Go Greyhound
by Bob Hicok
Gospel
by Philip Levine
Inventing Father In Las Vegas
by Lynn Emanuel
Pockets
by Howard Nemerov
Regarding Chainsaws
by Hayden Carruth
Shirt
by Robert Pinsky
Two Countries
by Naomi Shihab Nye
Ars Poetica
Epistles, Book II, Ars Poetica
by Horace
A Book Of Music
by Jack Spicer
A True Poem
by Lloyd Schwartz
All Their Stanzas Look Alike
by Thomas Sayers Ellis
Always on the Train
by Ruth Stone
And It Came to Pass
by C. D. Wright
Ars Poetica
by Archibald MacLeish
Ars Poetica
by Eleanor Wilner
Ars Poetica (cocoons)
by Dana Levin
Art Class
by James Galvin
Arthur's Anthology of English Poetry
by Laurence Lerner
Because You Asked about the Line Between Prose and Poetry
by Howard Nemerov
Briefly It Enters, and Briefly Speaks
by Jane Kenyon
Diving into the Wreck
by Adrienne Rich
Endnote
by Hayden Carruth
Envoi
by William Meredith
Ground Swell
by Mark Jarman
Instructions to Be Left Behind
by Marvin Bell
Introduction to Poetry
by Billy Collins
O Black and Unknown Bards
by James Weldon Johnson
On the Subject of Poetry
by W. S. Merwin
Poet's Work
by Lorine Niedecker
Poetry
by Marianne Moore
Prefix: Finding the measure
by Robert Kelly
Some Part of the Lyric
by Gregory Orr
Speech Alone
by Jean Follain
Strawberry on the Drawbridge
by Matthea Harvey
Take the I Out
by Sharon Olds
The Allure of Forms
by Coral Bracho
The Bargain
by Cyrus Cassells
The Bear
by Galway Kinnell
The Poem as Mask
by Muriel Rukeyser
The Poems I Have Not Written
by John Brehm
The Snow and the Plum — II
by Lu Mei-P'o
The Uses of Poetry
by William Carlos Williams
What He Thought
by Heather McHugh
Workshop
by Billy Collins
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Broadway  
by Mark Doty

Under Grand Central's tattered vault
  --maybe half a dozen electric stars still lit--
    one saxophone blew, and a sheer black scrim

billowed over some minor constellation
  under repair. Then, on Broadway, red wings
    in a storefront tableau, lustrous, the live macaws

preening, beaks opening and closing
  like those animated knives that unfold all night
    in jewelers' windows. For sale,

glass eyes turned outward toward the rain,
  the birds lined up like the endless flowers
    and cheap gems, the makeshift tables

of secondhand magazines
  and shoes the hawkers eye
    while they shelter in the doorways of banks.

So many pockets and paper cups
  and hands reeled over the weight
    of that glittered pavement, and at 103rd

a woman reached to me across the wet roof
  of a stranger's car and said, I'm Carlotta,
    I'm hungry. She was only asking for change,

so I don't know why I took her hand.
  The rooftops were glowing above us,
    enormous, crystalline, a second city

lit from within. That night
  a man on the downtown local stood up
    and said, My name is Ezekiel,

I am a poet, and my poem this evening is called
  fall. He stood up straight
    to recite, a child reminded of his posture

by the gravity of his text, his hands
  hidden in the pockets of his coat.
    Love is protected, he said,

the way leaves are packed in snow,
   the rubies of fall. God is protecting
    the jewel of love for us.

He didn't ask for anything, but I gave him
  all the change left in my pocket,
    and the man beside me, impulsive, moved,

gave Ezekiel his watch.
  It wasn't an expensive watch,
    I don't even know if it worked,

but the poet started, then walked away
  as if so much good fortune
    must be hurried away from,

before anyone realizes it's a mistake.
  Carlotta, her stocking cap glazed
    like feathers in the rain,

under the radiant towers, the floodlit ramparts,
  must have wondered at my impulse to touch her,
    which was like touching myself,

the way your own hand feels when you hold it
  because you want to feel contained.
    She said, You get home safe now, you hear?

In the same way Ezekiel turned back
  to the benevolent stranger.
    I will write a poem for you tomorrow,

he said. The poem I will write will go like this:
  Our ancestors are replenishing
    the jewel of love for us.



From My Alexandria, published by University of Illinois Press. Copyright © 1993 by Mark Doty. All rights reserved. Used with permission.
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