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ABOUT THE AUTHOR
Heather McHugh
Heather McHugh
A former Chancellor of the Academy of American Poets, Heather McHugh has received several awards for her work as a poet, including the MacArthur Foundation "Genius Grant" in 2009...
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FURTHER READING
Poems about Vacations
Air In The Epic
by Brenda Hillman
Cape Coast Castle
by Yusef Komunyakaa
If You Get There Before I Do
by Dick Allen
Notes on a Visit to Le Tuc D'Audoubert
by Clayton Eshleman
Souvenir
by Beth Ann Fennelly
This is Lagos
by John Koethe
Vacation
by Rita Dove
More Like This
On Poetry and Craft [excerpt]
by Theodore Roethke
All She Wrote
by Harryette Mullen
An Exhortation
by Percy Bysshe Shelley
Anybody Can Write a Poem
by Bradley Paul
Dawn
by James Laughlin
Dear J.
by Kazim Ali
Epistle: Leaving
by Kerrin McCadden
In Portraits in Seasons
by Danielle Pafunda
In the old days a poet once said
by Ko Un
Inert Perfection
by Edna St. Vincent Millay
Language
by W. S. Merwin
Leo Said
by Eileen Myles
Night School
by Micah Ballard
Night Theater
by Meena Alexander
Poetry
by Monica Ferrell
Poetry
by Alfred Kreymborg
Poetry
by Marianne Moore
Poetry is
by Emilio Villa
Potentially Interesting & Secretly Devastating
by Tina Brown Celona
Q & A
by Terence Winch
Render, Render
by Thomas Lux
so you want to be a writer?
by Charles Bukowski
Te Deum
by Charles Reznikoff
The Bear
by Galway Kinnell
The Gift
by Chard deNiord
The Language of Love
by Rodney Jones
The Novel as Manuscript
by Norman Dubie
The Politics of Narrative: Why I Am A Poet
by Lynn Emanuel
To a Young Poet
by Edna St. Vincent Millay
what it means to be avant-garde [excerpt]
by David Antin
While Writing
by Noelle Kocot
Related Prose
Ars Poetica: Poems about Poetry
Poems about Poetry
Epistles, Book II, Ars Poetica
by Horace
Poetry as Insurgent Art [I am signaling you through the flames]
by Lawrence Ferlinghetti
A Book Of Music
by Jack Spicer
A True Poem
by Lloyd Schwartz
Adam's Curse
by W. B. Yeats, read by James Wright
Always on the Train
by Ruth Stone
Ars Poetica
by Archibald MacLeish
Ars Poetica (cocoons)
by Dana Levin
Arthur's Anthology of English Poetry
by Laurence Lerner
Because You Asked about the Line Between Prose and Poetry
by Howard Nemerov
Blue or Green
by James Galvin
Briefly It Enters, and Briefly Speaks
by Jane Kenyon
Broadway
by Mark Doty
Diving into the Wreck
by Adrienne Rich, read by Anne Waldman
Eating Poetry
by Mark Strand
Endnote
by Hayden Carruth
Envoi
by William Meredith
Ground Swell
by Mark Jarman
How to Read a Poem: Beginner's Manual
by Pamela Spiro Wagner
If It All Went Up in Smoke
by George Oppen
Languages
by Carl Sandburg
O Black and Unknown Bards
by James Weldon Johnson
Poet's Work
by Lorine Niedecker
Poetry
by Marianne Moore
Poetry Is a Destructive Force
by Wallace Stevens
Prefix: Finding the measure
by Robert Kelly
Speech Alone
by Jean Follain
Take the I Out
by Sharon Olds
Teaching the Ape to Write Poems
by James Tate
The Art of Poetry [excerpt]
by Nicolas Boileau-Despréaux
The Bear
by Galway Kinnell
The Composition of the Text
by Adriano Spatola
The Difference between a Child and a Poem
by Michael Blumenthal
The Indications [excerpt]
by Walt Whitman
The Poem as Mask
by Muriel Rukeyser
The Poems I Have Not Written
by John Brehm
The Uses of Poetry
by William Carlos Williams
This Bridge, Like Poetry, is Vertigo
by Marie Ponsot
Why I Am Not a Painter
by Frank O'Hara
Workshop
by Billy Collins
Related Pages
Audio & Video
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What He Thought

Order Now Buy the CD  
by Heather McHugh

For Fabbio Doplicher

We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the Mayor, mulled a couple
matters over. The Italian literati seemed
bewildered by the language of America: they asked us
what does "flat drink" mean? and the mysterious
"cheap date" (no explanation lessened
this one's mystery). Among Italian writers we

could recognize our counterparts: the academic,
the apologist, the arrogant, the amorous,
the brazen and the glib. And there was one
administrator (The Conservative), in suit
of regulation gray, who like a good tour guide
with measured pace and uninflected tone
narrated sights and histories
the hired van hauled us past.
Of all he was most politic--
and least poetic-- so
it seemed. Our last
few days in Rome 
I found a book of poems this
unprepossessing one had written: it was there
in the pensione room (a room he'd recommended)
where it must have been abandoned by
the German visitor (was there a bus of them?) to whom
he had inscribed and dated it a month before. I couldn't
read Italian either, so I put the book
back in the wardrobe's dark. We last Americans

were due to leave
tomorrow. For our parting evening then
our host chose something in a family restaurant,
and there we sat and chatted, sat and chewed, till,
sensible it was our last big chance to be Poetic, make
our mark, one of us asked

"What's poetry?
Is it the fruits and vegetables
and marketplace at Campo dei Fiori

or the statue there?" Because I was
the glib one, I identified the answer
instantly, I didn't have to think-- "The truth
is both, it's both!" I blurted out. But that
was easy. That was easiest
to say. What followed taught me something
about difficulty, 

for our underestimated host spoke out
all of a sudden, with a rising passion, and he said:

The statue represents
Giordano Bruno, brought
to be burned in the public square
because of his offence against authority, which was to say
the Church. His crime was his belief
the universe does not revolve around
the human being: God is no
fixed point or central government
but rather is poured in waves, through
all things: all things
move. "If God is not the soul itself,
he is the soul OF THE SOUL of the world." Such was
his heresy. The day they brought him forth to die

they feared he might incite the crowd (the man
was famous for his eloquence). And so his captors
placed upon his face
an iron mask
in which he could not speak.

That is how they burned him.
That is how he died, 
without a word,
in front of everyone. And poetry--

(we'd all put down our forks by now, to listen to
the man in gray; he went on softly)-- poetry

is what he thought, but did not say.





Audio Clip
April 21, 1992
French Institue Alliance Fran‡aise
From the Academy Audio Archive



From Hinge & Sign: Poems 1968-1993, published by Wesleyan University Press, 1994. Copyright © 1994 by Heather McHugh. Reprinted with permission.
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