The maw that rends without tearing, the maggoty claw that serves you, what, my baby buttercup, prunes stewed softly in their own juices or a good slap in the face, there's no accounting for history in any event, even such a one as this one, O, we're knee-deep in this one, you and me, we're practically puppets,
Born on May 10, 1968, and raised in the U.S. Army, Vanessa Place received a BA from the University of Massachusetts at Amherst, an MFA from Antioch University, and a JD from Boston University.
Her books of poetry and conceptual writing include Dies: A Sentence (Les Figues, 2006), a 50,000-word, one-sentence novel in verse; La Medusa (Fiction Collective 2, 2008); and Statement of Facts (Insert Blanc Press, 2010), the first volume of her trilogy Tragodía, which repurposes legal prosecution and defense documents verbatim; among others.
With Robert Fitterman, she cowrote Notes on Conceptualisms (Ugly Duckling Presse, 2009), an exploration of contemporary conceptual writers and their work. She is also the author of The Guilt Project: Rape, Morality and Law (Other Press, 2010), an analysis of the prosecution of sexual offenders.
About her texts, she says: "Authorship doesn't matter. Content doesn't matter. Form doesn't matter. Meter doesn't matter. All that matters is the trace of poetry. Put another way, I am a mouthpiece." Susan McCabe describes her poetry as "both humbling and beyond paraphrase, both mythic and contemporary."
In addition to her work as an appellate criminal defense attorney, she serves as codirector of Les Figues Press. Place currently lives in Los Angeles, California.