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Lucie Brock-Broido

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Lucie Brock-Broido

Lucie Brock-Broido was born on May 22, 1956, in Pittsburgh. She received her BA and her MA from Johns Hopkins University, as well as her MFA from Columbia University. Her books of poetry include Stay, Illusion (Alfred A. Knopf, 2013), Trouble in Mind (Alfred A. Knopf, 2004), The Master Letters (1995), and A Hunger (1988).

In a New York Times review of Trouble in Mind, Maureen N. McLane wrote: "Apprenticed to Wallace Stevens, from whose notebooks she takes the titles of several poems, she writes a sensual, sonically rich poetry, typified by the opening of 'Spain': 'The god-leash leaves / Its lashes on the broad bunched backs / Of sacrificial animals.' This acoustic gorgeousness, along with her highly figurative cast of mind, creates a striking tension: her new theme is austerity, yet her means remain profligate."

Her awards and honors include the Witter-Bynner prize from the Academy of American Arts and Letters, the Harvard Phi Beta Kappa Teaching Award, the Harvard-Danforth Award for Distinction in Teaching, the Jerome J. Shestack Poetry Prize from American Poetry Review, two National Endowment for the Arts fellowships, and a Guggenheim fellowship.

Brock-Broido has taught at Bennington College, Princeton University, and at Harvard University as the director of the creative writing program and as the Briggs-Copeland poet. She is now the director of poetry in the writing division of Columbia University's School of the Arts. She divides her time between New York City and Cambridge, Massachusetts.

A Selected Bibliography

Poetry

A Hunger (Alfred A. Knopf, 1988)
The Master Letters (Alfred A. Knopf, 1995)
Trouble in Mind (Alfred A. Knopf, 2004)


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by this poet

poem
What was it I was hungry about. Hunger, it is one 
Of the several contraptions I can turn on the off-button to at will.  

Yes, yes, of course it is an "Art." Of course I will not be here 
Long, not the way the percentages are going now.  

He might have been 
                                     Half-beautiful
poem

Winter was the ravaging in the scarified
Ghost garden, a freak of letters crossing down a rare

Path bleak with poplars. Only the yew were a crewel
Of kith at the fieldstone wall, annulled

As a dulcimer cinched in a green velvet sack.
To be damaged is to endanger—taut as
poem

Soon the electrical wires will grow heavy under the snow.
I am thinking of fire of the possibility of fire & then moving

Across America in a car with a powder blue dashboard,
Moving to country music & the heart

Is torn a little more because the song says the truth.