poet

Deborah Digges

1950-2009 , Jefferson City , MO , United States
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Deborah Digges

On February 6, 1950, Deborah Digges was born in Jefferson City, Missouri. She received degrees from the University of California and the University of Missouri, as well as an MFA from the Iowa Writers' Workshop.

She is the author of four books of poetry, including Rough Music (Alfred A. Knopf, 1995), winner of the Kingsley Tufts Prize, and most recently The Wind Blows Through the Doors of My Heart (Alfred A. Knopf, 2010). Her first book, Vesper Sparrows (Carnegie-Melon University Press, 1986), won the Delmore Schwartz Memorial Prize from New York University. Digges wrote two memoirs, Fugitive Spring (1991) and The Stardust Lounge (2001).

Her poems often rely on the relationship between humans and nature, the primitive urges of discovery and rediscovery, and the physical consequences of such momentary losses of the self. As Willard Spiegelman wrote for The Yale Review: "Thinking through images, Digges wends her insistent, surprising way down a path alternately straight and curving, placid and perilous."

When asked by the New York Times to name a book of poetry published in the last 25 years that has been personally meaningful, Sharon Olds responded that Digges's Trapeze "is a book that sort of threw me to my knees...a book that shows me how much truth, and feel-of-truth—embodying profound complex mourning—can be sung."

Digges received grants from the John Simon Guggenheim Foundation, the National Endowment for the Arts, and the Ingram Merrill Foundation and taught in the graduate writing divisions of New York University, Boston University, and Columbia University. She lived in Massachusetts, where she was a professor of English at Tufts University. She died on April 10, 2009.


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by this poet

poem
Ponds are spring-fed, lakes run off rivers. 
Here souls pass, not one deified, 
and sometimes this is terrible to know 
three floors below the street, where light drinks the world, 
siphoned like music through portals. 
How fed, that dark, the octaves framed faceless. 
A memory of water. 
The trees more
poem
My life's calling, setting fires. 
Here in a hearth so huge 
I can stand inside and shove 
the wood around with my 
bare hands while church bells
deal the hours down through 
the chimney. No more 
woodcutter, creel for the fire 
or architect, the five staves 
pitched like rifles over stone. 
But to be mistro-
poem
See how the first dark takes the city in its arms 
and carries it into what yesterday we called the future. 

O, the dying are such acrobats. 
Here you must take a boat from one day to the next, 

or clutch the girders of the bridge, hand over hand. 
But they are sailing like a pendulum between eternity and