poem index

poet

Ann Lauterbach

Ann Lauterbach

Born in 1942, Ann Lauterbach was raised in New York City. After graduating from the University of Wisconsin, Madison, she attended Columbia University on a Woodrow Wilson Fellowship. She moved to London before completing her M.A. in English Literature.

She lived in London for eight years, working variously in publishing and art institutions. On her return to the United States, she worked for a number of years in art galleries in New York before she began teaching.

Lauterbach is the author of several poetry collections, including Under the Sign (Penguin, 2013) and Or to Begin Again (Penguin, 2009), which was nominated for the National Book Award and which takes its name from a sixteen-poem elegy inspired by both Lewis Carroll's Alice and T. S. Eliot's The Wasteland. She is also the author of Hum (2005), If in Time: Selected Poems 1975–2000 (2001), On a Stair (1997), And for Example (1994), Clamor (1991), Before Recollection (1987), and Many Times, but Then (1979), as well as a book of essays, The Night Sky: Writings on the Poetics of Experience.

About her work, John Ashbery has said: "Ann Lauterbach's poetry goes straight to the elastic, infinite core of time."

She is the recipient of fellowships from the Guggenheim Foundation, the New York State Foundation for the Arts, the Ingram Merrill Foundation, and in 1995, she was awarded the prestigious MacArthur Fellowship.

In 2012, she was named the Sherry Distinguished Poet at the University of Chicago. Lauterbach has also taught at Brooklyn College, Columbia University, the Iowa Writer's Workshop, Princeton University, the City College of New York, and Yale Graduate School of the Arts where she was a visiting core critic. She is currently Schwab Professor of Languages and Literature at Bard College, where she has also been, since 1991, co-chair of writing in the Milton Avery School of the Arts.

She lives in Germantown, New York.




Selected Bibliography

Poetry

Under the Sign (Penguin, 2013)
Or to Begin Again (Penguin, 2009)
Hum (Penguin, 2005)
If in Time: Selected Poems 1975–2000 (Penguin, 2001)
On a Stair (Penguin, 1997)
And for Example (Penguin, 1994)
Clamor (Penguin, 1991)
Before Recollection (Princeton University Press, 1987)
Sacred Weather (The Grenfell Press, 1984)
Closing Hours (Red Ozier Press, 1983)
Later That Evening (Jordan Davies, 1981)
Many Times, but Then (Texas University Press, 1979)
Book One (The Spring Street Press, 1975)
Vertical, Horizontal (The Seafront Press, 1971)

Prose

The Night Sky: Writings on the Poetics of Experience (Penguin, 2005)

Collaborations With Artists

Thripsis, with Joe Brainard (Vermont Z Press, 1998)
A Clown, Some Colors, A Doll, Her Stories, A Song, A Moonlit Cove, with Ellen Phelan (The Whitney Museum, 1996)
How Things Bear Their Telling, with Lucio Pozzi (Collectif Generation, 1990)
Greeks, with Jan Groover and Bruce Boice (The Hollow Press, 1984)

by this poet

poem
Hum
The days are beautiful
The days are beautiful.

I know what days are.
The other is weather.

I know what weather is.
The days are beautiful.

Things are incidental.
Someone is weeping.

I weep for the incidental.
The days are beautiful.

Where is tomorrow?
Everyone will weep.

Tomorrow was yesterday.
The days
poem
The weather map today is pale. The lines on the map
are like the casts of fishing lines
looping and curved briefly across air.
The sky now, also, toward evening, is pale.
On Sunday, in Beacon, there were lines
drawn on walls and also lines
drawn across the canvases of the last paintings
of Agnes Martin. One of
poem

To foretell an ordinary mission, with fewer words.
With fewer, more ordinary, words.
Words of one syllable, for example.

For example: step and sleeve.
These are two favorites, among many.
Many can be found if I look closely.

But even if I look closely, surely