poem index

About this poet

Faiz Ahmed Faiz was born on February 13, 1911, in Sialkot, India, which is now part of Pakistan. He had a privileged childhood as the son of wealthy landowners Sultan Fatima and Sultan Muhammad Khan, who passed away in 1913, shortly after his birth. His father was a prominent lawyer and a member of an elite literary circle which included Allama Iqbal, the national poet of Pakistan.

In 1916, Faiz entered Moulvi Ibrahim Sialkoti, a famous regional school, and was later admitted to the Skotch Mission High School where he studied Urdu, Persian, and Arabic. He received a Bachelor's degree in Arabic, followed by a master's degree in English, from the Government College in Lahore in 1932, and later received a second master's degree in Arabic from the Oriental College in Lahore.After graduating in 1935, Faiz began a teaching career at M.A.O. College in Amritsar and then at Hailey College of Commerce in Lahore.

Faiz's early poems had been conventional, light-hearted treatises on love and beauty, but while in Lahore he began to expand into politics, community, and the thematic interconnectedness he felt was fundamental in both life and poetry. It was also during this period that he married Alys George, a British expatriate and convert to Islam, with whom he had two daughters. In 1942, he left teaching to join the British Indian Army, for which he received a British Empire Medal for his service during World War II. After the partition of India in 1947, Faiz resigned from the army and became the editor of The Pakistan Times, a socialist English-language newspaper.

On March 9, 1951, Faiz was arrested with a group of army officers under the Safety Act, and charged with the failed coup attempt that became known as the Rawalpindi Conspiracy Case. He was sentenced to death and spent four years in prison before being released. Two of his poetry collections, Dast-e Saba and Zindan Namah, focus on life in prison, which he considered an opportunity to see the world in a new way. While living in Pakistan after his release, Faiz was appointed to the National Council of the Arts by Zulfikar Ali Bhutto's government, and his poems, which had previously been translated into Russian, earned him the Lenin Peace Prize in 1963.

In 1964, Faiz settled in Karachi and was appointed principal of Abdullah Haroon College, while also working as an editor and writer for several distinguished magazines and newspapers. He worked in an honorary capacity for the Department of Information during the 1965 war between India and Pakistan, and wrote stark poems of outrage over the bloodshed between Pakistan, India, and what later became Bangladesh. However, when Bhutto was overthrown by Zia Ul-Haq, Faiz was forced into exile in Beirut, Lebanon. There he edited the magazine Lotus, and continued to write poems in Urdu. He remained in exile until 1982. He died in Lahore in 1984, shortly after receiving a nomination for the Nobel Prize.

Throughout his tumultuous life, Faiz continually wrote and published, becoming the best-selling modern Urdu poet in both India and Pakistan. While his work is written in fairly strict diction, his poems maintain a casual, conversational tone, creating tension between the elite and the common, somewhat in the tradition of Ghalib, the reknowned 19th century Urdu poet. Faiz is especially celebrated for his poems in traditional Urdu forms, such as the ghazal, and his remarkable ability to expand the conventional thematic expectations to include political and social issues.

A Selected Bibliography

Naqsh-e faryadi (1943)
Dast-e saba (1952)
Zindan namad (1956)
Mizan (1964)
Dest-i tah-yi sang(1965)
Harf harf (1965)
Sar-e vadi-ye sina (1971)
Mat¯a`-i lauh o qalam (1973)
Rat di rat (1975)
Intikh¯ab-i Pay¯am-i Mashriq : manz¯um Urd¯u tarjumah (1977)
Sham-e shahri-yaran (1978)
Mere dil, mere musafir (1980)
Nuskha-Hai-Wafa (1984)

Poetry in Translation

Poems (1962) trans. by V.G. Kiernan
Poems by Faiz (1971) trans. V.G. Kiernan
The True Subject: Selected Poems of Faiz Ahmed Faiz (1988) trans. Naomi Lazard
The Unicorn and the Dancing Girl (1988) trans by Daud Kamal, ed. by Khalid Hasan
The Rebel's Silhouette (1991) trans. Agha Shahid Ali
The Rebel's Silhouette: Selected Poems (1995) rev. ed. trans. Agha Shahid Ali

Before You Came

Faiz Ahmed Faiz, 1911 - 1984
Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.

Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, of thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.

And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.

Don't leave now that you're here—
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.

From The Rebel's Silhouette by Faiz Ahmed Faiz, translated by Agha Shahid Ali. Copyright © 1991 by Agha Shahid Ali. Used by permission of University of Massachusetts Press.

Faiz Ahmed Faiz

Faiz Ahmed Faiz

Faiz Ahmed Faiz was born on February 13, 1911, in Sialkot, India,

by this poet

poem
When we launched life
on the river of grief,
how vital were our arms, how ruby our blood.
With a few strokes, it seemed,
we would cross all pain,
we would soon disembark.
That didn't happen.
In the stillness of each wave we found invisible currents.
The boatmen, too, were unskilled,
their oars untested.
poem
Be near me now,
My tormenter, my love, be near me—
At this hour when night comes down,
When, having drunk from the gash of sunset, darkness comes
With the balm of musk in its hands, its diamond lancets,
When it comes with cries of lamentation,
                                             with laughter with songs
poem
This is how my sorrow became visible:
its dust, piling up for years in my heart,
finally reached my eyes,

the bitterness now so clear that
I had to listen when my friends
told me to wash my eyes with blood.

Everything at once was tangled in blood—
each face, each idol, red everywhere.
Blood swept over the sun