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About this poet

In 1936, C. K. Williams was born in Newark, New Jersey. He is the author of numerous books of poetry, including All at Once: Prose Poems (Farrar, Straus and Giroux, 2014); Writers Writing Dying: Poems (Farrar, Straus and Giroux, 2012); Wait: Poems (Farrar, Straus, and Giroux, 2010); Collected Poems (2007); The Singing (2003), which won the National Book Award; Repair (1999), winner of a Pulitzer Prize; The Vigil (1997); A Dream of Mind (1992); Flesh and Blood (1987), which won the National Book Critics Circle Award; Tar (1983); With Ignorance (1997); I Am the Bitter Name (1992); and Lies (1969).

Williams has also published five works of translation: Selected Poems of Francis Ponge (1994); Canvas, by Adam Zagajewski (with Renata Gorczynski and Benjamin Ivry, 1991); The Bacchae of Euripides (1990); The Lark. The Thrush. The Starling. (Poems from Issa) (1983); and Women of Trachis, by Sophocles (with Gregory Dickerson, 1978).

Among his many awards and honors are an American Academy of Arts and Letters Award, a Guggenheim Fellowship, the Lila Wallace-Reader's Digest Award, the PEN/Voelcker Award for Poetry, and a Pushcart Prize. He served as a Chancellor of the Academy of American Poets. Williams teaches in the creative writing program at Princeton University and lives part of each year in Paris.

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From the Image Archive

 

Tar

C. K. Williams, 1936
The first morning of Three Mile Island: those first disquieting, uncertain,			
          mystifying hours.
All morning a crew of workmen have been tearing the old decrepit roof
          off our building,
and all morning, trying to distract myself, I've been wandering out to 
          watch them
as they hack away the leaden layers of asbestos paper and disassemble 
          the disintegrating drains.
After half a night of listening to the news, wondering how to know a 
          hundred miles downwind
if and when to make a run for it and where, then a coming bolt awake 
          at seven
when the roofers we've been waiting for since winter sent their ladders 
          shrieking up our wall,
we still know less than nothing: the utility company continues making 
          little of the accident,
the slick federal spokesmen still have their evasions in some semblance 
          of order.
Surely we suspect now we're being lied to, but in the meantime, there 
          are the roofers,
setting winch-frames, sledging rounds of tar apart, and there I am, on 
          the curb across, gawking.

I never realized what brutal work it is, how matter-of-factly and harrow-
          ingly dangerous.
The ladders flex and quiver, things skid from the edge, the materials are 
          bulky and recalcitrant.
When the rusty, antique nails are levered out, their heads pull off; the 
          underroofing crumbles.
Even the battered little furnace, roaring along as patient as a donkey, 
          chokes and clogs,
a dense, malignant smoke shoots up, and someone has to fiddle with a 
          cock, then hammer it,
before the gush and stench will deintensify, the dark, Dantean broth 
          wearily subside.
In its crucible, the stuff looks bland, like licorice, spill it, though, on 
          your boots or coveralls,
it sears, and everything is permeated with it, the furnace gunked with 
          burst and half-burst bubbles,
the men themselves so completely slashed and mucked they seem almost 
          from another realm, like trolls.
When they take their break, they leave their brooms standing at attention 
          in the asphalt pails,
work gloves clinging like Br'er Rabbit to the bitten shafts, and they slouch 
          along the precipitous lip,
the enormous sky behind them, the heavy noontime air alive with shim-
          mers and mirages.

Sometime in the afternoon I had to go inside: the advent of our vigil was 
          upon us.
However much we didn't want to, however little we would do about it, 
          we'd understood:
we were going to perish of all this, if not now, then soon, if not soon, 
          then someday.
Someday, some final generation, hysterically aswarm beneath an at-
          mosphere as unrelenting as rock,
would rue us all, anathematize our earthly comforts, curse our surfeits 
          and submissions.
I think I know, though I might rather not, why my roofers stay so clear 
          to me and why the rest, 
the terror of that time, the reflexive disbelief and distancing, all we should 
          hold on to, dims so.
I remember the president in his absurd protective booties, looking 
          absolutely unafraid, the fool.
I remember a woman on the front page glaring across the misty Sus-
          quehanna at those looming stacks.
But, more vividly, the men, silvered with glitter from the shingles, cling-
          ing like starlings beneath the eaves.
Even the leftover carats of tar in the gutter, so black they seemed to suck 
          the light out of the air.
By nightfall kids had come across them: every sidewalk on the block was 
          scribbled with obscenities and hearts.

From Selected Poems by C. K. Williams. Copyright © 1994 by C. K. Williams. Reprinted by permission of Farrar, Straus & Giroux, LLC. All rights reserved.

CAUTION: Users are warned that this work is protected under copyright laws and downloading is strictly prohibited. The right to reproduce or transfer the work via any medium must be secured with Farrar, Straus, & Giroux, LLC.

From Selected Poems by C. K. Williams. Copyright © 1994 by C. K. Williams. Reprinted by permission of Farrar, Straus & Giroux, LLC. All rights reserved.

CAUTION: Users are warned that this work is protected under copyright laws and downloading is strictly prohibited. The right to reproduce or transfer the work via any medium must be secured with Farrar, Straus, & Giroux, LLC.

C. K. Williams

C. K. Williams

Born on November 4, 1936, C. K. Williams won the National Book Award, the Pulitzer for poetry, and served as a Chancellor of The Academy of American Poets

by this poet

poem

          A young mother on a motor scooter stopped at a traffic light, her little son perched 
on the ledge between her legs; she in a gleaming helmet, he in a replica of it, smaller, but 
the same color and just as shiny.  His visor is swung shut, hers is open.
          As I pull up beside
poem

 

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poem
1

If that someone who's me yet not me yet who judges me is always with me, 
as he is, shouldn't he have been there when I said so long ago that thing 
   I said?

If he who rakes me with such not trivial shame for minor sins now were
   there then,
shouldn't he have warned me he'd even now devastate me