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About this poet

On April 22, 1943, Louise Glück was born in New York City and grew up on Long Island. She is the author of numerous books of poetry, most recently, Poems 1962-2012 (Farrar, Straus, and Giroux, 2012); A Village Life: Poems (Farrar, Straus, and Giroux, 2009); Averno (Farrar, Straus, and Giroux, 2006), a finalist for the 2006 National Book Award in Poetry; The Seven Ages (Ecco Press, 2001); and Vita Nova (Ecco Press, 1999), winner of Boston Book Review's Bingham Poetry Prize and The New Yorker's Book Award in Poetry. In 2004, Sarabande Books released her six-part poem "October" as a chapbook.

Her other books include Meadowlands (Ecco Press, 1996); The Wild Iris (Ecco Press, 1992), which received the Pulitzer Prize and the Poetry Society of America's William Carlos Williams Award; Ararat (Ecco Press, 1990), for which she received the Library of Congress's Rebekah Johnson Bobbitt National Prize for Poetry; and The Triumph of Achilles (Ecco Press, 1985), which received the National Book Critics Circle Award, the Boston Globe Literary Press Award, and the Poetry Society of America's Melville Kane Award.

In a review in The New Republic, the critic Helen Vendler wrote: "Louise Glück is a poet of strong and haunting presence. Her poems, published in a series of memorable books over the last twenty years, have achieved the unusual distinction of being neither "confessional" nor "intellectual" in the usual senses of those words."

She has also published a collection of essays, Proofs and Theories: Essays on Poetry (Ecco Press, 1994), which won the PEN/Martha Albrand Award for Nonfiction. Her honors include the Bollingen Prize in Poetry, the Lannan Literary Award for Poetry, a Sara Teasdale Memorial Prize, the MIT Anniversary Medal and fellowships from the Guggenheim and Rockefeller Foundations, and from the National Endowment for the Arts.

In 1999 Glück was elected a Chancellor of the Academy of American Poets. In the fall of 2003, she was appointed as the Library of Congress's twelfth Poet Laureate Consultant in Poetry. She served as judge of the Yale Series of Younger Poets from 2003 to 2010.

In 2008, Glück was selected to receive the Wallace Stevens Award for mastery in the art of poetry. Her most recent collection, Poems 1962-2012, was awarded the 2013 Los Angeles Times Book Prize.

She is a writer-in-residence at Yale University.


Selected Bibiography

Poetry

Poems: 1962-2012 (Farrar, Straus, and Giroux, 2013)
A Village Life (Farrar, Straus, and Giroux, 2009)
Averno (Farrar, Straus, and Giroux, 2006)
The Seven Ages (Ecco Press, 2001)
Vita Nova (Ecco Press, 1999)
Meadowlands (Ecco Press, 1996)
The First Four Books of Poems (Ecco Press, 1995)
The Wild Iris (Ecco Press, 1992)
Ararat (Ecco Press, 1990)
The Triumph of Achilles (Ecco Press, 1985)
Descending Figure (Ecco Press, 1980)
The Garden (Antaeus, 1976)
The House on Marshland (Ecco Press, 1975)
Firstborn (New American Library, 1968)


Multimedia

From The Poet's View: Intimate Profiles of Five Major American Poets, available in the Poetry Store.   Louise Glück discusses danger and difficulty at the 2008 Poets Forum.   From the Image Archive

 

October (section I)

Louise Glück, 1943
Is it winter again, is it cold again,
didn't Frank just slip on the ice,
didn't he heal, weren't the spring seeds planted

didn't the night end,
didn't the melting ice
flood the narrow gutters

wasn't my body
rescued, wasn't it safe

didn't the scar form, invisible
above the injury

terror and cold,
didn't they just end, wasn't the back garden
harrowed and planted--

I remember how the earth felt, red and dense,
in stiff rows, weren't the seeds planted,
didn't vines climb the south wall

I can't hear your voice
for the wind's cries, whistling over the bare ground

I no longer care
what sound it makes

when was I silenced, when did it first seem
pointless to describe that sound

what it sounds like can't change what it is--

didn't the night end, wasn't the earth
safe when it was planted

didn't we plant the seeds,
weren't we necessary to the earth,

the vines, were they harvested?

Section I is reprinted from October by Louise Glück, published by Sarabande Books, Inc. Copyright © 2004 by Louise Glück. Reprinted by permission of Sarabande Books and the author. All rights reserved.

Section I is reprinted from October by Louise Glück, published by Sarabande Books, Inc. Copyright © 2004 by Louise Glück. Reprinted by permission of Sarabande Books and the author. All rights reserved.

Louise Glück

Louise Glück

The author of numerous collections of poetry, Louise Glück is the recipient of many awards and served as a Chancellor for the Academy of American Poets and the Library of Congress's Poet Laureate

by this poet

poem
In the first version, Persephone
is taken from her mother
and the goddess of the earth
punishes the earth—this is
consistent with what we know of human behavior,

that human beings take profound satisfaction
in doing harm, particularly
unconscious harm:

we may call this
negative creation.

Persephone's initial
poem
The great thing
is not having 
a mind. Feelings:
oh, I have those; they 
govern me. I have 
a lord in heaven 
called the sun, and open 
for him, showing him
the fire of my own heart, fire 
like his presence.
What could such glory be
if not a heart? Oh my brothers and sisters, 
were you like me once, long ago,
poem
In your extended absence, you permit me 
use of earth, anticipating
some return on investment. I must report 
failure in my assignment, principally 
regarding the tomato plants.
I think I should not be encouraged to grow 
tomatoes. Or, if I am, you should withhold 
the heavy rains, the cold nights that come 
so