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About this poet

Harryette Mullen was born in Florence, Alabama, and raised in Fort Worth, Texas. She has earned degrees in English and literature from the University of Texas at Austin, and the University of California, Santa Cruz. Early in her career as a poet, she worked in the Artists in Schools program sponsored by the Texas Commission on the Arts, and for six years she taught African American and other U.S. ethnic literatures at Cornell University in Ithaca, New York.

Her books include Urban Tumbleweed (Graywolf Press, 2013), Muse & Drudge (Singing Horse Press, 1995), S*PeRM**K*T (Singing Horse Press, 1992), Trimmings (Tender Buttons Books, 1991), and Tree Tall Woman (Energy Earth Communications, 1981). Trimmings, S*PeRM**K*T, and Muse & Drudge were collected into Recyclopedia (Graywolf Press, 2006) which received a PEN Beyond Margins Award. In 2002, she published both Blues Baby: Early Poems (Bucknell University Press) and Sleeping with the Dictionary (University of California Press), a finalist for the National Book Award, the National Book Critics Circle Award, and the Los Angeles Times Book Award in poetry.

Though her work is driven by an obsession with wordplay, allusion, and popular cliché, it is also centered in a larger tradition of African American writing, with particular emphasis on representations of black women. While Gertrude Stein functions as a key figure behind the prose poems collected in Recyclopedia, much of Mullen's work necessarily extends beyond Stein's brand of linguistic play, combining it with similarly language-obsessed poets like Melvin B. Tolson, Langston Hughes, and Gwendolyn Brooks.

The poet Michael Palmer has noted that reading Mullen's work "is a bit like hearing a new musical instrument for the first time, playing against a prevalent social construction of reality."

Mullen was the 2009 recipient of the Academy of American Poets Fellowship. Her other honors include artist grants from the Texas Institute of Letters and the Helene Wurlitzer Foundation of New Mexico, the Gertrude Stein Award in Innovative American Poetry, and a Rockefeller Fellowship from the Susan B. Anthony Institute for Women's Studies at the University of Rochester. Harryette Mullen teaches African American literature and creative writing in the English Department at the University of California, Los Angeles.


Multimedia

From the Image Archive

 

Muse & Drudge [just as I am I come]

Harryette Mullen, 1953
just as I am I come
knee bent and body bowed 
this here's sorrow's home 
my body's southern song

cram all you can 
into jelly jam 
preserve a feeling 
keep it sweet 

so beautiful it was 
presumptuous to alter 
the shape of my pleasure
in doing or making

proceed with abandon 
finding yourself where you are 
and who you're playing for 
what stray companion

Copyright © 2006 by Harryette Mullen. Reprinted from Recyclopedia with the permission of Graywolf Press, Saint Paul, Minnesota.

Copyright © 2006 by Harryette Mullen. Reprinted from Recyclopedia with the permission of Graywolf Press, Saint Paul, Minnesota.

Harryette Mullen

Harryette Mullen

Harryette Mullen's work is driven by wordplay, allusion, and popular cliche, and is centered in a larger tradition of African American writing.

by this poet

poem
sun goes on shining
while the debbil beats his wife
blues played lefthanded
topsy-turvy inside out

under the weather
down by the sea
a broke johnny walker
mister meaner

bigger than a big man
cirrus as a heart attracts
more power than a loco motive
think your shit don't stink

edge against a wall
wearing your
poem
why these blues come from us
threadbare material soils
the original colored
pregnant with heavenly spirit

stop running from the gift
slow down to catch up with it
knots mend the string quilt
of kente stripped when kin split

white covers of black material
dense fabric that obeys its own logic
shadows pieced
poem

We need quarters like King Tut needed a boat. A slave could row him to heaven from his crypt in Egypt full of loot. We've lived quietly among the stars, knowing money isn't what matters. We only bring enough to tip the shuttle driver when we hitch a ride aboard a trailblazer of light. This comet could scour the