About this poet

Rachel Zucker is the author of The Pedestrians (Wave Books, 2014). She teaches at New York University and lives in New York City.

Letter [Persephone to Demeter]

Rachel Zucker
At home, the bells were a high light-yellow
with no silver or gray just buttercup or sugar-and-lemon.

Here bodies are lined in blue against the sea.
And where red is red there is only red.

I have to be blue to bathe in the sea.
Red, to live in the red room with red air

to rest my head, red cheek down, on the red table.

Above, it was so green: brown, yellow, white, green.
My longing for red furious, sexual.

There things were alive but nothing moved.
Now I live near the sea in a place which has no blue and is not the sea.

Gulls flock, leeward then tangent
and pigeons bully them off the ground.

Hardly alive, almost blind-a hot geometry casts off
every color of the world. Everything moves, nothing alive.

In the red room there is a sky which is painted over in red
but is not red and was, once, the sky.

This is how I live.

A red table in a red room filled with air.
A woman, edged in blue, bathing in the blue sea.

The surface like the pale, scaled skin of fish
far below or above or away—

 

From Eating in the Underworld by Rachel Zucker. Copyright © 2003 by Rachel Zucker. Reproduced by permission of Wesleyan University Press. All rights reserved.

From Eating in the Underworld by Rachel Zucker. Copyright © 2003 by Rachel Zucker. Reproduced by permission of Wesleyan University Press. All rights reserved.

Rachel Zucker

Rachel Zucker

Rachel Zucker is the author of The Pedestrians (Wave Books, 2014). She teaches at New York University and lives in New York City.

by this poet

poem

I skim sadness like fat off the surface
of cooling soup. Don't care about
metaphor but wish it would arrive
me. There’s a cool current of air
this hot day I want to ride.
I have no lover, not even my love.
I have no other, not even I.

poem
Spring is not so very promising as it is the thing
that looking back was fire, promising:
ignition, aspiration; it was not under my thumb.

Now when I pretend a future it is the moment
he holds the thing I say new-born,
delicate, sure to begin moving but

I am burned out of it like the melody underneath
(still
poem
When we made love you had 
the dense body of a Doberman
and the square head of a Rottweiler.

With my eyes closed I saw: 
a light green plate with seared scallops
and a perfect fillet of salmon on a cedar plank.

Now I am safe in the deep V of a weekday 
wanting to tell you how the world 
is full of street signs