poem index

About this poet

Thomas Hardy, the son of a stonemason, was born in Dorset, England, on June 2, 1840. He trained as an architect and worked in London and Dorset for ten years. Hardy began his writing career as a novelist, publishing Desperate Remedies in 1871, and was soon successful enough to leave the field of architecture for writing. His novels Tess of the D'Urbervilles (1891) and Jude the Obscure (1895), which are considered literary classics today, received negative reviews upon publication and Hardy was criticized for being too pessimistic and preoccupied with sex. He left fiction writing for poetry, and published eight collections, including Wessex Poems (1898) and Satires of Circumstance (1912).

Hardy's poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief in a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with an extraordinary variety of meters and stanzaic forms. A significant influence on later poets (including Frost, Auden, Dylan Thomas, and Philip Larkin), his influence has increased during the course of the century, offering an alternative—more down-to-earth, less rhetorical—to the more mystical and aristocratic precedent of Yeats. Thomas Hardy died on January 11, 1928.


Selected Bibliography

Poetry

Collected Poems (1932)
Moments of Vision (1917)
Satires of Circumstance (1914)
The Dynasts (1908)
Time's Laughingstocks (1909)
Wessex Poems (1898)
Winter Words in Various Moods and Meters (1928)

Letters

A Laodicean (1881)
A Pair of Blue Eyes (1873)
Desperate Remedies (1871)
Far from the Madding Crowd (1876)
Jude the Obscure (1897)
Tess of the D'Urbervilles (1897)
The Hand of Ethelberta (1876)
The Mayor of Casterbridge (1886)
The Return of the Native (1879)
The Trumpet Major (1879)
The Well-Beloved (1897)
The Woodlanders (1887)
Two on a Tower (1882)
Under the Greenwood Tree (1872)

The Interloper

Thomas Hardy, 1840 - 1928

There are three folk driving in a quaint old chaise,
And the cliff-side track looks green and fair;
I view them talking in quiet glee
As they drop down towards the puffins' lair
    By the roughest of ways;
But another with the three rides on, I see,
    Whom I like not to be there!

No: it's not anybody you think of. Next
A dwelling appears by a slow sweet stream
Where two sit happily and half in the dark:
They read, helped out by a frail-wick'd gleam,
    Some rhythmic text;
But one sits with them whom they don't mark,
    One I'm wishing could not be there.

No: not whom you knew and name. And now
I discern gay diners in a mansion-place,
And the guests dropping wit—pert, prim, or choice,
And the hostess's tender and laughing face,
    And the host's bland brow;
But I cannot help hearing a hollow voice,
    And I'd fain not hear it there.

No: it's not from the stranger you once met. Ah,
Yet a goodlier scene than that succeeds;
People on a lawn—quite a crowd of them. Yes,
And they chatter and ramble as fancy leads;
    And they say, 'Hurrah!'
To a blithe speech made; save one, mirthless,
    Who ought not to be there.

Nay: it's not the pale Form your imagings raise,
That waits on us all at a destined time,
It is not the Fourth Figure the Furnace showed;
O that it were such a shape sublime
    In these latter days!
It is that under which best lives corrode;
    Would, would it could not be there!

This poem is in the public domain.

Thomas Hardy

Thomas Hardy

Thomas Hardy, the son of a stonemason, was born in Dorsetshire, England,

by this poet

poem

Woman much missed, how you call to me, call to me,
Saying that now you are not as you were
When you had changed from the one who was all to me,
But as at first, when our day was fair.

Can it be you that I hear? Let me view you, then,
Standing as when I drew near to the town
Where

poem
Why did you give no hint that night
That quickly after the morrow's dawn,
And calmly, as if indifferent quite,
You would close your term here, up and be gone
     Where I could not follow
     With wing of swallow
To gain one glimpse of you ever anon!

     Never to bid good-bye
     Or lip me the softest call,
poem

           I
           (OLD STYLE)

Our songs went up and out the chimney,
And roused the home-gone husbandmen;
Our allemands, our heys, poussettings,
Our hands-across and back again,
Sent rhythmic throbbings through the casements
         On to the white highway,
Where