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About this poet

On April 29, 1947, Yusef Komunyakaa was born in Bogalusa, Louisiana, where he was raised during the beginning of the Civil Rights movement. He served in the United States Army from 1969 to 1970 as a correspondent, and as managing editor of the Southern Cross during the Vietnam war, earning him a Bronze Star.

He began writing poetry in 1973, and received his bachelor's degree from the University of Colorado Springs in 1975. His first book of poems, Dedications & Other Darkhorses, was published in 1977, followed by Lost in the Bonewheel Factory in 1979. During this time, he earned his MA and MFA in creative writing from Colorado State University and the University of California, Irvine, respectively.

Komunyakaa first received wide recognition following the 1984 publication of Copacetic, a collection of poems built from colloquial speech which demonstrated his incorporation of jazz influences. He followed the book with two others: I Apologize for the Eyes in My Head (1986), winner of the San Francisco Poetry Center Award; and Dien Cai Dau (1988), which won The Dark Room Poetry Prize and has been cited by poets such as William Matthews and Robert Hass as being among the best writing on the war in Vietnam.

Since then, he has published several books of poems, including The Chameleon Couch (Farrar, Straus and Giroux, 2011); Warhorses (2008); Taboo: The Wishbone Trilogy, Part 1; Pleasure Dome: New & Collected Poems, 1975-1999 (2001); Talking Dirty to the Gods (2000); Thieves of Paradise (1998), which was a finalist for the National Book Critics Circle Award; Neon Vernacular: New & Selected Poems 1977-1989 (1994), for which he received the Pulitzer Prize and the Kingsley Tufts Poetry Award; and Magic City (1992).

Komunyakaa's prose is collected in Blues Notes: Essays, Interviews & Commentaries (University of Michigan Press, 2000). He also co-edited The Jazz Poetry Anthology (with J. A. Sascha Feinstein, 1991), co-translated The Insomnia of Fire by Nguyen Quang Thieu (with Martha Collins, 1995), and served as guest editor for The Best of American Poetry 2003.

He has also written dramatic works, including Gilgamesh: A Verse Play (Wesleyan University Press, 2006), and Slip Knot, a libretto in collaboration with Composer T. J. Anderson and commissioned by Northwestern University.

About his work, the poet Toi Derricotte wrote for the Kenyon Review, "He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human."

Komunyakaa is the recipient of the 2011 Wallace Stevens Award. His other honors include the Ruth Lilly Poetry Prize, the William Faulkner Prize from the Université de Rennes, the Thomas Forcade Award, the Hanes Poetry Prize, fellowships from the Fine Arts Work Center in Provincetown, the Louisiana Arts Council, and the National Endowment for the Arts.

He was elected a Chancellor of the Academy of American Poets in 1999. He has taught at University of New Orleans, Indiana University, as a professor in the Council of Humanities and Creative Writing Program at Princeton University. He lives in New York City where he is currently Distinguished Senior Poet in New York University's graduate creative writing program.


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Blue Dementia

Yusef Komunyakaa, 1947
In the days when a man
would hold a swarm of words
inside his belly, nestled
against his spleen, singing.

In the days of night riders
when life tongued a reed
till blues & sorrow song
called out of the deep night:
Another man done gone.
Another man done gone.

In the days when one could lose oneself
all up inside love that way,
& then moan on the bone
till the gods cried out in someone's sleep.

Today,
already I've seen three dark-skinned men
discussing the weather with demons
& angels, gazing up at the clouds
& squinting down into iron grates
along the fast streets of luminous encounters.

I double-check my reflection in plate glass
& wonder, Am I passing another
Lucky Thompson or Marion Brown
cornered by a blue dementia,
another dark-skinned man
who woke up dreaming one morning
& then walked out of himself
dreaming? Did this one dare
to step on a crack in the sidewalk,
to turn a midnight corner & never come back
whole, or did he try to stare down a look
that shoved a blade into his heart?
I mean, I also know something
about night riders & catgut. Yeah,
honey, I know something about talking with ghosts.

Copyright © 2011 by Yusef Komunyakaa. Reprinted from The Chameleon Couch with the permission of Farrar, Straus and Giroux.

Copyright © 2011 by Yusef Komunyakaa. Reprinted from The Chameleon Couch with the permission of Farrar, Straus and Giroux.

Yusef Komunyakaa

Yusef Komunyakaa

Poet Yusef Komunyakaa first received wide recognition following the 1984 publication of Copacetic, a collection of poems built from colloquial speech which demonstrated his incorporation of jazz influences

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poem
My black face fades,
hiding inside the black granite.
I said I wouldn't,
dammit: No tears. 
I'm stone. I'm flesh.
My clouded reflection eyes me
like a bird of prey, the profile of night
slanted against morning. I turn
this way--the stone lets me go.
I turn that way--I'm inside
the Vietnam Veterans Memorial
again
poem
I made love to you, & it loomed there.
We sat on the small veranda of the cottage,
& listened hours to the sea talk.
I didn't have to look up to see if it was still there.
For days, it followed us along polluted beaches
where the boys herded cows 
& the girls danced for the boys,
to the moneychanger