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Poets' Letters

Elizabeth Bishop and Robert Lowell. Robert Duncan and Denise Levertov. Langston Hughes and Bessie Head. These poets shared meaningful correspondence at times spanning decades. Check out Poets.org’s expanding collection of poets’ letters—and how they drew from the epistolary form in their poetry.

poem

Letter Home

--New Orleans, November 1910

Four weeks have passed since I left, and still 
I must write to you of no work. I've worn down 
the soles and walked through the tightness 
of my new shoes calling upon the merchants, 
their offices bustling. All the while I kept thinking 
my plain English and good writing would secure 
for me some modest position Though I dress each day 
in my best, hands covered with the lace gloves 
you crocheted--no one needs a girl. How flat 
the word sounds, and heavy. My purse thins. 
I spend foolishly to make an appearance of quiet 
industry, to mask the desperation that tightens 
my throat. I sit watching-- 

though I pretend not to notice--the dark maids
ambling by with their white charges. Do I deceive 
anyone? Were they to see my hands, brown 
as your dear face, they'd know I'm not quite 
what I pretend to be. I walk these streets 
a white woman, or so I think, until I catch the eyes 
of some stranger upon me, and I must lower mine, 
a negress again. There are enough things here 
to remind me who I am. Mules lumbering through 
the crowded streets send me into reverie, their footfall 
the sound of a pointer and chalk hitting the blackboard 
at school, only louder. Then there are women, clicking 
their tongues in conversation, carrying their loads 
on their heads. Their husky voices, the wash pots 
and irons of the laundresses call to me.

I thought not to do the work I once did, back bending 
and domestic; my schooling a gift--even those half days
at picking time, listening to Miss J--. How 
I'd come to know words, the recitations I practiced 
to sound like her, lilting, my sentences curling up
or trailing off at the ends. I read my books until
I nearly broke their spines, and in the cotton field,
I repeated whole sections I'd learned by heart,
spelling each word in my head to make a picture
I could see, as well as a weight I could feel
in my mouth. So now, even as I write this
and think of you at home, Goodbye

is the waving map of your palm, is 
a stone on my tongue.
Natasha Trethewey
2002
poem

My Grandmother's Love Letters


There are no stars tonight 
But those of memory. 
Yet how much room for memory there is 
In the loose girdle of soft rain. 

There is even room enough 
For the letters of my mother’s mother, 
Elizabeth, 
That have been pressed so long 
Into a corner of the roof 
That they are brown and soft, 
And liable to melt as snow. 

Over the greatness of such space 
Steps must be gentle. 
It is all hung by an invisible white hair. 
It trembles as birch limbs webbing the air. 

And I ask myself: 

"Are your fingers long enough to play 
Old keys that are but echoes: 
Is the silence strong enough 
To carry back the music to its source 
And back to you again 
As though to her?"

Yet I would lead my grandmother by the hand 
Through much of what she would not understand; 
And so I stumble. And the rain continues on the roof 
With such a sound of gently pitying laughter.
Hart Crane
1920