 |

This group of books showcases the masterpieces of American poetry that have influenced—or promise to influence—generations of poets. Featured here are essays on each of these books, with information on their authors, publication history, critical responses, and their most acclaimed poems.
|
Poems on Various Subjects, Religious and Moral by Phyllis Wheatley At age twenty, Phyllis Wheatley was the first African American and, notably, only the second woman in America, to publish a book. |
|
|
Leaves of Grass by Walt Whitman "One critic noted in an 1855, 'If Walt Whitman's premises are true, then there is a subtler range of poetry than that of the grandeur of Homer or Shakespeare.'" |
|
|
The Complete Poems by Emily Dickinson "Only eight of her poems were published during her lifetime, primarily submitted by family and friends without her permission." |
|
|
North of Boston by Robert Frost "The poems are marked by modern themes and concerns, dark impressions of early twentieth-century rural life, and the nature of tragedy." |
|
|
Tender Buttons by Gertrude Stein "Simultaneously considered to be a masterpiece of verbal Cubism, a modernist triumph, a spectacular failure, a collection of confusing gibberish, and an intentional hoax." |
|
|
Harmonium by Wallace Stevens "An unusual first book, partially because it didn’t appear until Stevens was 44 years old, representing the cumulative poetic works of his life up until that point." |
|
|
Spring and All by William Carlos Williams "Created a new kind of American lyric, with attention toward natural, idiomatic language, sharply observed images, unusual syntax, and abbreviated, carefully wrought lines." |
|
|
The Cantos by Ezra Pound "He privileged poetry as song, proclaiming that meaning is all tied up with sound and that beauty is difficult." |
|
|
The Weary Blues by Langston Hughes "The poems progress at a self-assured and lyrical pace—partly because Hughes expected them to be performed with musical accompaniment in the famous Harlem clubs of that era." |
|
|
The Bridge by Hart Crane "Physically removed from the city, Crane relied on his memory and imagination to render the numerous awesome and grotesque nuances of New York." |
|
|
Selected Poems by Marianne Moore "While most poets either employ established meters or write free verse, Moore's poems are built from lines of counted syllables, in patterns that she devised herself." |
|
|
U.S. 1 (featuring "The Book of the Dead") by Muriel Rukeyser
"A political activist as well as a poet, Rukeyser devoted much of her time and writing to issues of feminism and social justice." |
|
|
Collected Sonnets by Edna St. Vincent Millay "Millay gave her most-famous attention to the most archetypal of human concerns: love and death." |
|
|
For the Time Being (featuring "The Sea and the Mirror") by W. H. Auden "Besides being an intense meditation on the role of art in the natural world, For the Time Being is a rich artifact of Auden's poetic gifts." |
|
|
Four Quartets by T. S. Eliot "Eliot considered these four long poems to be his finest achievement and the pinnacle of his career." |
|
|
Trilogy 1944-1946 by H. D. "Written while she lived in London during World War II, it is considered one of the best examples of civilian war poetry." |
|
|
Thing of Beauty: New and Selected Works by Jackson Mac Low "Most often, Mac Low's work consists of a "seed text," which is a preexisting text, often another literary work. Once a text is chosen, a process is applied to the text." |
|
|
The Waking by Theodore Roethke "The collection’s intimate, personal quality—"my secrets cry aloud" and "my heart keeps open house"—heavily influenced later Confessional poets." |
|
|
 |
 |
|
 |
|
Howl and Other Poems by Allen Ginsberg "The 29-year-old Ginsberg unveiled an early version of his poem, Howl, to a mesmerized audience whose relentless cheers of "Go! Go! Go!" brought him to tears by the end of the performance." |
|
|
Life Studies by Robert Lowell "Inspired by his battle with mental illness, his marital problems, and the Vietnam War, it demonstrates a dramatic turn toward deeply personal work." |
|
|
The Bean Eaters by Gwendolyn Brooks "Written during the early years of the Civil Rights movement, during which the Brooks's interest in social issues deepened and found expression in her work." |
|
|
The Maximus Poems by Charles Olson "Taking up local issues such as preserving the wetlands and documenting the history of fishermen, Olson's poems are widely read as political, but they also contain deeply lyrical and personal passages." |
|
|
A Ballad of Remembrance by Robert Hayden "The poems demonstrate the narrative ease and compelling character development that mark Hayden's best work." |
|
|
For Love by Robert Creeley "The breath-determined lines, unusual syntax, and rhythm of Creeley’s plainspoken minimalist lyrics were a remarkable break from the poetic landscape." |
|
|
The Branch Will Not Break by James Wright "A startling mix of careful detail and surprising leaps of thought and structure in loose and open verses." |
|
|
The Sonnets by Ted Berrigan "The Sonnets is arranged around the repetition of key lines and figures. Sentences are broken and phrases rearranged at random, resulting in sonnets less strict than Berrigan's ancestors'." |
|
|
77 Dream Songs by John Berryman "Many of the poems are narrated by Henry, Berryman’s alter ego, who speaks as if from dream world, among uninterpretable, but strangely familiar dream symbols and situations." |
|
|
Lunch Poems by Frank O'Hara "his easy and conversational tone camouflaged an attention to formal detail, present beneath the pop-culture references, melodramatic declarations, and quick successions of perfect images." |
|
|
Ariel by Sylvia Plath "The darkly lyric poems address motherhood, sexuality, marriage, and her own experiences with depression." |
|
|
Live or Die by Anne Sexton "Encouraged by her doctor to pursue her interest in writing, Sexton enrolled in a poetry workshop at the Boston Center for Adult Education in the fall of 1957." |
|
|
The Lice by W. S. Merwin "What makes The Lice special in a decade of writing that will be remembered for its apocalyptic obsessions is an eerie sense of bearing witness to a world already in mid-apocalypse." |
|
|
Bending the Bow by Robert Duncan "Duncan set off for New York where he became involved with the vibrant downtown literary coterie that followed the works of the Abstract Expressionists." |
|
|
Of Being Numerous by George Oppen "The title poem, widely considered his masterpiece, is a sequence of forty sections that examines questions of singularity within a diverse and crowded world." |
|
|
Diving into the Wreck by Adrienne Rich "These poems speak quietly but do not mumble, respect their elders but are not cowed by them, and do not tell fibs." |
|
|
The Lady in Kicking Horse Reservoir by Richard Hugo "Hugo encourages younger poets to recognize their true subject matter beneath the surface, but above all, to ignore advice about writing and find their own way." |
|
|
Self Portrait in a Convex Mirror by John Ashbery "I tried each thing," begins this inimitable volume, "only some were immortal and free." |
|
|
Geography III by Elizabeth Bishop "She focused her precise and carefully crafted lines on subtle impressions of the physical world." |
|
|
"A" by Louis Zukofsky Though it is an epic, "A" is not a narrative poem. It is pieced together by collage, formal experimentation, and the poet's lived experience. |
|
|
My Life by Lyn Hejinian "My Life is composed of titled prose paragraphs, each built of disjunctive sentences that avoid coherence." |
|
|
 |
 |
|