Finally, morning. This loneliness
feels more ordinary in the light, more like my face
in the mirror. My daughter in the ER again.
Something she ate? Some freshener
someone spritzed in the air?
They’re trying to kill me, she says,
as though it’s a joke. Lucretius
got me through the night. He told me the world goes on
making and unmaking. Maybe it’s wrong
to think of better and worse.
There’s no one who can carry my fear
for a child who walks out the door
not knowing what will stop her breath.
The rain they say is coming
sails now over the Pacific in purplish nimbus clouds.
But it isn’t enough. Last year I watched
elephants encircle their young, shuffling
their massive legs without hurry, flaring
their great dusty ears. Once they drank
from the snowmelt of Kilimanjaro.
Now the mountain is bald. Lucretius knows
we’re just atoms combining and recombining:
star dust, flesh, grass. All night
I plastered my body to Janet,
breathing when she breathed. But her skin,
warm as it is, does, after all, keep me out.
How tenuous it all is.
My daughter’s coming home next week.
She’ll bring the pink plaid suitcase we bought at Ross.
When she points it out to the escort
pushing her wheelchair, it will be easy
to spot on the carousel. I just want to touch her.
“’Waiting for Rain’ is from my forthcoming book, Like a Beggar. I’ve been noticing, in some poets I admire, what I’ve come to think of as the long-armed poem—a poem that reaches out and sweeps disparate, unexpected things into its net and yet the elements have enough magnetic attraction, enough resonance that the poem holds together. I wanted to try to do that with this poem so I could speak personally, intimately, while giving my feelings for my daughter a larger context.” —Ellen Bass