Connecticut

Appointed Connecticut State Poet Laureate on July 1, 2010, Dick Allen has published seven poetry collections and won numerous awards including a Pushcart Prize, the Robert Frost prize, and fellowships from the National Endowment for the Arts and Ingram Merrill Poetry Foundation.

upcoming events

date
Mar 05 2018
Carl Phillips on Wild Is the Wind
“What has restlessness been for?”
 
In Wild Is the Wind, Carl Phillips reflects on love as depicted in the jazz standard for which the book is named—love at once restless, reckless, and yet desired for its potential to bring stability. In the process, he pitches estrangement against communion, examines the past as history versus the past as memory, and reflects on the past’s capacity both to teach and to mislead us—also to make us hesitate in the face of love, given the loss and damage that are, often enough, love’s fallout. How “to say no to despair”? How to take perhaps that greatest risk, the risk of believing in what offers no guarantee? These poems that, in their wedding of the philosophical, meditative, and lyric modes, mark a new stage in Phillips’s remarkable work, stand as further proof that “if Carl Phillips had not come onto the scene, we would have needed to invent him. His idiosyncratic style, his innovative method, and his unique voice are essential steps in the evolution of the craft” (Judith Kitchen, The Georgia Review).
 
5:00pm
63 High Street
Linsly-Chittenden Hall
06511 New Haven, Connecticut

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Poetry in Connecticut
Dick Allen
Connecticut poet laureate

Dick Allen

Born in Troy, New York, on August 8, 1939, Dick Allen is the author of eight poetry collections, including Present Vanishing (Sarabande Books, 2008...

poems

poem
Even the sky here in Connecticut has it,
That wry look of accomplished conspiracy,
The look of those who've gotten away

With a petty but regular white collar crime.
When I pick up my shirts at the laundry,
A black woman, putting down her Daily News,

Wonders why and how much longer our luck
Will hold.  "
poem

I

Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II

I was of three minds,
Like a tree
In which there are three blackbirds.

III

The blackbird whirled in the autumn winds.
It was a small part

poem

Not vistas, but a home-sized landscape,
beloved rooms storied, painted, lived.
A farm bought with a painting
and a ten dollar personal check.
And almost from the beginning,
the intention to pass on
what an artist sees, what artists make.
A parcel of land, a vast legacy.