Close call, close call, close call: this early in the morning The raucous crows' raw caws are ricochets off rock. Afloat on wire from a dead tree's branch a piece of charred limb Repeats a finch that perched on it in its last life. Here under the pergola, loaded with green wistaria,
In 1941, Stephen Yenser was born in Wichita, Kansas.
He has also published a collection of essays, A Boundless Field: American Poetry at Large (University of Michigan Press, 2002), as well as The Consuming Myth: The Work of James Merrill (1987) and Circle to Circle: The Poetry of Robert Lowell (1975). With J. D. McClatchy, he edited James Merrill's Collected Poems (2002), Collected Novels and Plays of James Merrill (2003), and The Changing Light at Sandover (Knopf, 2006).
About Yenser's work, the poet Alan Williamson has said, "Stephen Yenser combines two qualities rarely found together: an extraordinary gift for verbal play and a bedrock seriousness about the emotional aims of poetry. Consequently he can do things almost no one else can: a poem reproducing the modulations of music; a poem in a dead poet's style that becomes uniquely his own, through its meditation on intersubjectivity and immortality."
His honors include a "Discovery"/The Nation Award, two Fulbright teaching fellowships, and an Ingram Merrill Foundation Award in Poetry, a Pushcart Prize, and the B. F. Connors Prize for Poetry from the Paris Review.
He is a professor of English and director of creative writing at the University of California in Los Angeles.