poem index


Michael McFee

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Michael McFee

Michael McFee received a BA in 1976 and an MA in 1978, both from the University of North Carolina–Chapel Hill.

He is the author of numerous poetry collections, including We Were Once Here (Carnegie Mellon University Press, 2017), Shinemaster (Carnegie Mellon University Press, 2006), and Plain Air (University Presses of Florida, 1983). He is also the author of two essay collections, including The Napkin Manuscripts: Selected Essays and an Interview (University of Tennessee Press, 2006).

Of his work, Kathryn Stripling Byer writes, “Michael McFee’s voice gravitates toward place, its complications and cast iron realities.”

A recipient of the 2009 James Still Award for Writing about the Appalachian South, McFee teaches at the University of North Carolina at Chapel Hill.

Selected Bibliography


We Were Once Here (Carnegie Mellon University Press, 2017)
That Was Oasis (Carnegie Mellon University Press, 2012)
Shinemaster (Carnegie Mellon University Press, 2006)
Earthly (Carnegie Mellon University Press, 2001)
Colander (Carnegie Mellon University Press, 1996)
Sad Girl Sitting on a Running Board (Gnomon Press, 1991)
Vanishing Acts (Gnomon Press, 1989)
Plain Air (University Presses of Florida, 1983)

Appointed Round (Mercer University Press, 2018)
The Napkin Manuscripts: Selected Essays and an Interview (University of Tennessee Press, 2006)

by this poet

U’s mate, O with a new root,
the one capital letter
which probes below the base line,
here’s to the quirky beauty

of its tail, that fluent tongue
stuck from a wide-open mouth,
that elegant half-mustache
parted quickly toward the east,

that antique handle we grasp
to lift up the monocle
Brookshire had come to work second shift
at Walker Manufacturing the day it opened

and stayed until the recession shut it down
a dozen years later.  He was an end finisher,

six-foot-four and strong enough to hang
the bent and welded tailpipes and mufflers

on a fast-moving chain that would loop them
through a
My mouth won’t ever forget her skill with a skillet,
my father’s mother, cooking
with her mother’s skillet.

Looking deep into its heavy antique mirror, I see
her wedding day: white dress
and this coal-dark skillet.

Heaven was bacon’s sizzle waking my ears and nose.
Or was it one of her chickens