The last time they did any harm to anyone was probably thousands of years ago;--therefore we catch them and cut them up into coats, Their frolicsomeness, too, sliced up by contemptuous human analysis; Yes, through the binoculars of the human in the dinghy, like a text beneath some mad scientist's
Michael Benedikt was born in 1935 in New York City. He received his BA from New York University and earned a master's degree in English and comparative literature from Columbia University. He was an editorial assistant for Horizon Press from 1959 to 1962, and in 1963-64 served as managing editor for the literary magazine Locus Solus.
Prior to publishing his first collection of poetry, Benedikt co-edited three anthologies of 20th-Century Poetic Theatre from abroad: Modern French Theatre: The Avant-Garde, Dada, & Surrealism (Dutton, 1964); Post-War German Theatre (Dutton, 1966); and Modern Spanish Theatre (Dutton, 1967). His anthology of twentieth-century American plays, Theatre Experiment (Doubleday), was issued in 1968. He is also the editor of two landmark anthologies of twentieth-century poetry: The Poetry of Surrealism (Little Brown & Co., 1974); and The Prose Poem: An International Anthology (Dell, 1976). A critical Festschrift, Benedikt: A Profile was issued by Grilled Flowers Press in 1978. Benedikt was poetry editor for The Paris Review from 1975 to 1978. His editorial selections are represented in The Paris Review Anthology (1990). Occasionally active as a literary critic and journalist, he was also an associate editor of Art News and Art International. His literary criticism has appeared in Poetry and The American Book Review.
Benedikt's books of poetry include The Badminton at Great Barrington; or, Gustave Mahler & The Chattanooga Choo-Choo (University of Pittsburgh Press, 1980), Night Cries (Wesleyan University Press, 1976), Mole Notes (Wesleyan University Press, 1971), Sky (Wesleyan University Press, 1970), and The Body (Wesleyan University Press 1968). His poems have also appeared in Agni, Iowa Review, Michigan Quarterly Review, The New Republic, The Paris Review, and Partisan Review. His honors include a New York State Council for the Arts Grant, a Guggenheim Foundation Fellowship, and an NEA Fellowship. He has taught at Bennington College, Sarah Lawrence College, Vassar College, Hampshire Colleges, and Boston University. Michael Benedikt died on February 9, 2007.