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Carmen Giménez Smith

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Carmen Giménez Smith

Carmen Giménez Smith was born on February 20, 1971, in New York City. She received a BA in English from San Jose State University in 1994 and an MFA in creative writing from the Iowa Writers’ Workshop.

She is the author of the poetry collections Cruel Futures (City Lights Publishers, 2018); Milk & Filth (University of Arizona Press, 2013); Goodbye, Flicker (University of Massachusetts Press, 2012), winner of the Juniper Prize for Poetry; The City She Was (Center for Literary Publishing, 2011); and Odalisque in Pieces (University of Arizona Press, 2009).

Her poetry is well known for its portrayal of the experiences and histories of women, particularly those of Latina identity. The poet Dana Levin says of her poems, “It’s as if Giménez Smith threw a stone called ‘girl’ into the pong of psyche—a psyche both personal and collective—and these are the ripples.”

Giménez Smith says, “I think that the canon privileges male histories, both political and private, whereas women’s same histories are seen as domestic trifles. So I intend to go as deep as possible into those trifles.” She is also the author of a memoir, Bring Down the Little Birds: On Mothering, Art, Work, and Everything Else (University of Arizona Press, 2010).

The recipient of an American Book Award and a fellowship from the Howard Foundation, Giménez Smith was named one of Poetry Society of America’s New American Poets in 2009. She currently teaches in the creative writing programs at New Mexico State University and Ashland University, while also serving as the publisher of Noemi Press and the editor-in-chief of Puerto del Sol. She lives with her husband, the writer Evan Lavender-Smith, and their children in Las Cruces, New Mexico.


Selected Bibliography

Poetry
Cruel Futures (City Lights Publishers, 2018)
Milk and Filth (University of Arizona Press, 2013)
Goodbye, Flicker (University of Massachusetts Press, 2012)
The City She Was (Center for Literary Publishing, 2011)
Odalisque in Pieces (University of Arizona Press, 2009)

Prose
Bring Down the Little Birds: On Mothering, Art, Work, and Everything Else (University of Arizona Press, 2010)

by this poet

poem
                    Adam Smith
 
Every poet glistens with the dew
of money, but surely only some of them
truly have it. Never enough, wanting to know
what enough felt like, I buy fake versions
of the things I want on credit, my shelves
poem

I have thirty seconds to convince you
that when I’m not home, my verve is still,
online or if I’m sleeping when you call,
sheep are grazing on yesterday’s melodrama.
Does anybody know what the burning umbrella
really meant? Forget it. Tell me what you need.
Leave me a map. Leave me

2
poem
all of my belongings in the box       of my room
enumerated are        books and pages the stench of evening body
the halo hair on my daughter’s sketch of us  glass of flat diet pepsi
clips of words