All yesterday it poured, and all night long
I could not sleep; the rain unceasing beat
Upon the shingled roof like a weird song,
Upon the grass like running children’s feet.
And down the mountains by the dark cloud kissed,
Like a strange shape in filmy veiling dressed,
The natural world has been one of the recurring subjects of poetry, frequently the primary one, in every age and every country. Yet we cannot easily define nature, which, as Gary Snyder points out in his preface to No Nature (1992), “will not fulfill our conceptions or assumptions” and “will dodge our expectations and theoretical models.” Yet the urge to describe the natural world—its various landscapes, its changing seasons, its surrounding phenomena—has been an inescapable part of the history of poetry.
|1916||Juan Higera Creek||Robinson Jeffers|
|1916||Sea Poppies||H. D.|
|1916||The Oven-Bird||Robert Frost|
|1917||La Figlia Che Piange||T. S. Eliot|
|1917||Crepuscule||E. E. Cummings|