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About this poet

Rodney Gomez is the author of Ceremony of Sand, forthcoming from YesYes Books in 2019, and Citizens of the Mausoleum (Sundress Publications, 2018), as well as several chapbooks. He’s the winner of the Drinking Gourd Chapbook Poetry Prize, the Gloria E. Anzaldúa Poetry Prize, and the Rane Arroyo Chapbook Prize. A member of the Macondo Writers’ Workshop and the Chocholichex writing collective, he serves as an editor at Latino Book Review and works at the University of Texas Rio Grande Valley.

Story About a Glacier

What I won’t tell you is how I became a flute
and brushed against lips but there was no music.
When the blows came furious as juniper.

There were days when I was a parachute
and the wind was free but kind. I won’t lie
and say there were no such days. There were days

when I curled into hailstone and pretended
it was only breezing outside. Another man’s music.
Eventually the need to unfurl overcame the need

to stay anchored. Tsunami greeted me in its maw.
I have his smell all about me but it dwindles every day.
What I won’t tell you is how I escaped. One day

I met a map at a bar. It pointed to a gash on its head
and said I could get there by becoming someone else.
Most of me was still scrawled on a carpet under a belt.

What was there to lose that I hadn’t already lost?
Alone, in the middle of the night, the road smelled
like freshly sawed mesquite. I wormed my way out.

A buckle still loomed in the background.
And I told myself, there is no gleam.

Copyright © 2018 by Rodney Gomez. Used with the permission of the author. This poem originally appeared in Quarterly West Issue 94.

Copyright © 2018 by Rodney Gomez. Used with the permission of the author. This poem originally appeared in Quarterly West Issue 94.

Rodney Gomez

Rodney Gomez

Rodney Gomez is the author of Ceremony of Sand, forthcoming from YesYes Books in 2019, and Citizens of the Mausoleum (Sundress Publications, 2018), as well as several chapbooks. He’s the winner of the Drinking Gourd Chapbook Poetry Prize, the Gloria E. Anzaldúa Poetry Prize, and the Rane Arroyo Chapbook Prize. A member of the Macondo Writers’ Workshop and the Chocholichex writing collective, he serves as an editor at Latino Book Review and works at the University of Texas Rio Grande Valley.

by this poet

poem

     “Snow where the horse impresses itself / is solitude, a gallop of grief.” —Miguel Hernández

What use is a language
that lacks a name for hazard?

When wheat brays in an alley.

Where do you go
if you aren’t born
an adoration?

If you start the book
of brutality
you

poem

I've never given birth.

Please forgive me
for mistaking
long walks
for children.

I find soldiers, rattles,
teething rings.

I wear bonnets
on rainy days

when river mud
is indistinguishable
from water.

If I drown unexpectedly
send bibs
in lieu

poem

My mother used to say the heart makes music, but I've never found the keys. Maybe it's the way I was brought into the world: dragged across a river in the night's quiet breathing, trampling through trash and tired runaways as if tearing a window's curtains. We were barred from entry but repeatedly returned, each