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About this Poem 

Walt Whitman's "Sometimes with One I Love" comes from the "Calamus" poems, which are found in his groundbreaking and epic volume, Leaves of Grass. In his 1876 preface to Two Rivulets, Whitman writes that the poems were partially important in his purpose to achieve "emotional expressions for humanity." In his essay "Calamus" the critic James E. Miller, Jr. writes: "Though the poet celebrates adhesiveness and associates the love of comrades with some of the tenderest, most memorable moments of his life, he also sometimes reveals the pain he has felt."

Sometimes with One I Love

Sometimes with one I love I fill myself with rage for fear I effuse
   unreturn'd love,
But now I think there is no unreturn'd love, the pay is certain
   one way or another,
(I loved a certain person ardently and my love was not return'd,
Yet out of that I have written these songs.)

This poem appeared in Poem-A-Day on February 14, 2013. Browse the Poem-a-Day archive.

This poem appeared in Poem-A-Day on February 14, 2013. Browse the Poem-a-Day archive.

Walt Whitman

Walt Whitman

Born on May 31, 1819, Walt Whitman is the author of Leaves of Grass and, along with Emily Dickinson, is considered one of the architects of a uniquely American poetic voice. 

by this poet

poem

1

An old man bending I come among new faces,
Years looking backward resuming in answer to children,
Come tell us old man, as from young men and maidens that love me,
(Arous'd and angry, I'd thought to beat the alarum, and urge relentless war,
But soon my fingers fail'd me, my face

poem

We two, how long we were fool’d,
Now transmuted, we swiftly escape as Nature escapes,
We are Nature, long have we been absent, but now we return,
We become plants, trunks, foliage, roots, bark,
We are bedded in the ground, we are rocks,
We are oaks, we grow in

poem

Sounds of the winter too,
Sunshine upon the mountains—many a distant strain
From cheery railroad train—from nearer field, barn, house
The whispering air—even the mute crops, garner’d apples, corn,
Children’s and women’s tones—rhythm of many a farmer and of
      flail,
And old man’s