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About this poet

Thomas Hardy, the son of a stonemason, was born in Dorset, England, on June 2, 1840. He trained as an architect and worked in London and Dorset for ten years.

Hardy began his writing career as a novelist, publishing Desperate Remedies (Tinsley Brothers) in 1871, and was soon successful enough to leave the field of architecture for writing. His novels Tess of the D'Urbervilles (Osgood McIlvaine & Co., 1891) and Jude the Obscure (Osgood McIlvaine & Co., 1895), which are considered literary classics today, received negative reviews upon publication. He left fiction writing for poetry and published eight collections, including Poems of the Past and the Present (Harper & Bros., 1902) and Satires of Circumstance (Macmillan, 1914).

Hardy's poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief in a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with a variety of meters and stanzaic forms. A significant influence on later poets (including FrostAudenDylan Thomas, and Philip Larkin), his influence has increased during the course of the century, offering a more down-to-earth, less rhetorical alternative to the more mystical and aristocratic precedent of Yeats. Thomas Hardy died on January 11, 1928.


Selected Bibliography

Poetry
Collected Poems of Thomas Hardy (Macmillan, 1920)
Moments of Vision (Macmillan, 1917)
Selected Poems of Thomas Hardy (Macmillan, 1916)
Satires of Circumstance (Macmillan, 1914)
Time's Laughingstocks (Macmillan, 1909)
The Dynasts (Macmillan, 1904)
Poems of the Past and the Present (Harper & Bros., 1902)

Letters
Jude the Obscure (Osgood McIlvaine & Co., 1895)
Tess of the D'Urbervilles (Osgood McIlvaine & Co., 1891)
The Woodlanders (Harper & Bros., 1887)
The Mayor of Casterbridge (J. W. Lovell, 1886)
Two on a Tower (J. W. Lovell, 1882)
A Laodicean (Harper & Bros., 1881)
The Trumpet Major (Henry Holt & Co., 1880)
The Return of the Native (Henry Holt & Co., 1878)
Far from the Madding Crowd (Smith, Elder & Co., 1876)
The Hand of Ethelberta (Henry Holt & Co., 1876)
A Pair of Blue Eyes (Henry Holt & Co., 1873)
Under the Greenwood Tree (Tinsley Brothers, 1872)
Desperate Remedies (Tinsley Brothers, 1871)

At the Piano

A Woman was playing,
    A man looking on;
    And the mould of her face,
    And her neck, and her hair,
    Which the rays fell upon
    Of the two candles there,
Sent him mentally straying
    In some fancy-place
    Where pain had no trace.
A cowled Apparition
    Came pushing between;
    And her notes seemed to sigh;
    And the lights to burn pale,
    As a spell numbed the scene.
    But the maid saw no bale,
And the man no monition;
    And Time laughed awry,
    And the Phantom hid nigh.

This poem is in the public domain.

This poem is in the public domain.

Thomas Hardy

Thomas Hardy

Thomas Hardy, whose books include Tess of the d'Urbervilles and Jude the Obscure, was one of the most influentual novelists and poets of England's Victorian era. He died on January 11, 1928.

by this poet

poem

Upon a poet’s page I wrote
Of old two letters of her name;
Part seemed she of the effulgent thought
Whence that high singer’s rapture came.

—When now I turn the leaf the same
Immortal light illumes the lay,
But from the letters of her name
The radiance has waned away!

poem
I found her out there
On a slope few see,
That falls westwardly
To the salt-edged air,
Where the ocean breaks
On the purple strand,
And the hurricane shakes
The solid land.

I brought her here,
And have laid her to rest
In a noiseless nest
No sea beats near.
She will never be stirred
In her loamy cell
By the
poem

            When battles were fought
With a chivalrous sense of should and ought,
            In spirit men said,
             “End we quick or dead,
            Honour is some reward!
Let us fight fair—for our own best or worst;
            So, Gentlemen of the Guard,