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About this Poem 

“Much that once seemed impossibly difficult is later taken for granted; then, in age, it becomes again hard. For most of a life, the fingers only feel unmanageable if, say, at forty or fifty you decide to learn guitar or piano.

The unreachable is the magnet of desire. We long to long. Some things, though, are outside all this. No matter our own will or wish, they reach for us—a  great love; the unwriteable poem; all that becomes our own soon-enough-to-be-finished fates.”
Jane Hirshfield
 

A Person Protests to Fate

A person protests to fate:

“The things you have caused
me most to want
are those that furthest elude me.”

Fate nods.
Fate is sympathetic.

To tie the shoes, button a shirt,
are triumphs
for only the very young,
the very old.

During the long middle:

conjugating a rivet
mastering tango
training the cat to stay off the table
preserving a single moment longer than this one
continuing to wake whatever has happened the day before

and the penmanships love practices inside the body.

Copyright © 2015 by Jane Hirshfield. Used with permission of the author.

Copyright © 2015 by Jane Hirshfield. Used with permission of the author.

Jane Hirshfield

Jane Hirshfield

Jane Hirshfield is the author of eight collections of poetry, includingThe Beauty: Poems (Alfred A. Knopf, 2015), which was long listed for the National Book Award. She currently serves as a Chancellor of the Academy of American Poets.

by this poet

poem

In nature, molecules are chiral—they turn in one direction or the other. Naturally then, someone wondered: might sugar, built to mirror itself, be sweet, but pass through the body unnoticed? A dieters’ gold mine. I don’t know why the experiment failed, or how. I think of the loneliness of that man-made substance,

2
poem

It was like this:
you were happy, then you were sad,
then happy again, then not.

It went on.
You were innocent or you were guilty.
Actions were taken, or not.

At times you spoke, at other times you were silent.
Mostly, it seems you were silent—what could you say?

Now it is

poem

My skeleton,
you who once ached
with your own growing larger

are now,
each year
imperceptibly smaller,
lighter,
absorbed by your own
concentration.

When I danced,
you danced.
When you broke,
I.

And so it was lying down,
walking