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About this poet

In 1970, Matthew Rohrer was born in Ann Arbor, Michigan, and raised in Oklahoma. He earned a BA from the University of Michigan, where he won a Hopwood Award for poetry, and a Master of Fine Arts degree in Poetry from the University of Iowa.

Rohrer's poetry collections include Destroyer and Preserver (Wave Books, 2011); A Plate of Chicken (Ugly Duckling Presse, 2009); Rise Up (Wave Books, 2007); A Green Light (Verse Press, 2004); Satellite (2001) and A Hummock in the Malookas (1995), which was selected by Mary Oliver for the 1994 National Poetry Series. With Joshua Beckman, he is co-author of Nice Hat. Thanks. and the audio CD Adventures While Preaching the Gospel of Beauty.

He lives in Brooklyn, New York and teaches at New York University.

Pavilion of Leaves

Matthew Rohrer

Central Park in a
pavilion of leaves
with extra sauce
for midday
is only a snack
and a photograph
of cold cherries
like a young woman's
legs softly peeling
after burning
a pennywhistle
in the distance
with the piping children's
voices which are
distant peace
in a breeze
two white butterflies
trying so hard

Copyright © 2012 by Matthew Rohrer. Used with permission of the author.

Copyright © 2012 by Matthew Rohrer. Used with permission of the author.

Matthew Rohrer

Matthew Rohrer

The author of several collections of poetry, Matthrew Rohrer's book A Hummock in the Malookas was selected for the National Poetry Series

by this poet

poem
Money cannot find me. 
I try to be reasonable but money is horridly banal. 
Money, blow and blow is what I think about you. 
Street urchins make more than me. 
Water tastes funny without cups. 
How far will I go? 
Jingle jingle jingle. 
Despite holes that compromise living rooms, friends visit. 
Money money and
poem

1. Though our radiator is painted the color of the walls we know he's there. Whatever we set on top of him bursts angrily into flame. He has come to be known as Petulant. He has come to be known as Wasted Space. To be contrary, the radiator will not heat us when we need it. "If only I could find his fucking face,"

poem
I never believed in bioluminescence before. 
Here in Moravia where all daylight hides 
the only illumination is whiskey. 
Names seem unimportant. 
Large are the memories growing elsewhere 
beneath themselves. 
Do hemlocks burn when stared at? 
Darkness always retains something shapely. 
Those leaves engender me