O Esperanza!

Turns out my inner clown is full of hope.
She wants a gavel.
She wants to stencil her name on a wooden gavel:
Esperanza's Gavel.
Clowns are clichés and they aren't afraid of clichés.
Mine just sleeps when she's tired.
But she can't shake the hopes.
She's got a bad case of it, something congenital perhaps.
Maybe it was sexually transmitted,
something to do with oxytocin or contractions or nipple stimulation,
maybe that's it, a little goes a long way.
Hope is also the name of a bakery in Queens.
And there's a lake in Ohio called Hope Lake where you can get nachos.
I'm so stuffed with it the comedians in the Cellar never call on me,
even when I'm sitting right there in the front row with a dumb look of hope on my face.
Look at these books: hope.
Look at this face: hope.
When I was young I studied with Richard Rorty, that was lucky,
I stared out the window and couldn't understand a word he said,
he drew a long flat line after the C he gave me,
the class was called metaphysics and epistemology,
that's eleven syllables, that's
hope hope hope hope hope hope hope hope hope hope hope.
Just before he died, Rorty said his sense of the holy was bound up with the hope
that some day our remote descendants will live in a global civilization
in which love is pretty much the only law.

Copyright © 2015 by Catherine Barnett. Originally published in the Summer 2015 issue of Tin House and reprinted in Best American Poetry 2016 (Simon & Schuster, 2016). Used with permission of the author.