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About this poet

George Meredith was born in Portsmouth, England, on February 12, 1828. A poet, essayist, and novelist, his collection of fifty sixteen-line poems about the failure of a marriage, Modern Love (1862), is sometimes referred to as a "Meredithian sonnet cycle." Among his many other collections of poetry and prose, he is known for his witty and popular work, The Egoist: A Comedy in Narrative (1879), which was published in three volumes. He died on May 18, 1909, in Box Hill Surrey, England. 

Modern Love: XX

I am not of those miserable males
Who sniff at vice, and, daring not to snap,
Do therefore hope for heaven. I take the hap
Of all my deeds. The wind that fills my sails,
Propels; but I am helmsman. Am I wrecked,
I know the devil has sufficient weight
To bear: I lay it not on him, or fate.
Besides, he’s damned. That man I do suspect
A coward, who would burden the poor deuce
With what ensues from his own slipperiness.
I have just found a wanton-scented tress
In an old desk, dusty for lack of use.
Of days and nights it is demonstrative,
That, like some aged star, gleam luridly.
If for those times I must ask charity,
Have I not any charity to give?
 

This poem is in the public domain.

This poem is in the public domain.

George Meredith

George Meredith

George Meredith was born in Portsmouth, England, on February 12, 1828.

by this poet

poem
’Tis Christmas weather, and a country house
Receives us: rooms are full: we can but get
An attic-crib. Such lovers will not fret
At that, it is half-said. The great carouse
Knocks hard upon the midnight’s hollow door,
But when I knock at hers, see the pit.
Why did I come here in that dullard fit?
I enter, and lie
poem
No state is enviable. To the luck alone
Of some few favoured men I would put claim.
I bleed, but her who wounds I will not blame.
Have I not felt her heart as ’t were my own
Beat thro’ me? could I hurt her? heaven and hell!
But I could hurt her cruelly! Can I let
poem
I think she sleeps: it must be sleep, when low
Hangs that abandoned arm toward the floor;
The face turned with it. Now make fast the door.
Sleep on it: it is your husband, not your foe.
The Poet’s black stage-lion of wronged love,
Frights not our modern dames:—