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About this poet

Thomas Hardy, the son of a stonemason, was born in Dorset, England, on June 2, 1840. He trained as an architect and worked in London and Dorset for ten years. Hardy began his writing career as a novelist, publishing Desperate Remedies (Tinsley Brothers) in 1871, and was soon successful enough to leave the field of architecture for writing. His novels Tess of the D'Urbervilles (Osgood McIlvaine & Co., 1891) and Jude the Obscure (Osgood McIlvaine & Co., 1895), which are considered literary classics today, received negative reviews upon publication and Hardy was criticized for being too pessimistic and preoccupied with sex. He left fiction writing for poetry, and published eight collections, including Poems of the Past and the Present (Harper & Bros., 1902) and Satires of Circumstance (Macmillan, 1914).

Hardy's poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief in a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with an extraordinary variety of meters and stanzaic forms. A significant influence on later poets (including FrostAudenDylan Thomas, and Philip Larkin), his influence has increased during the course of the century, offering an alternative—more down-to-earth, less rhetorical—to the more mystical and aristocratic precedent of Yeats. Thomas Hardy died on January 11, 1928.


Selected Bibliography

Poetry
Collected Poems of Thomas Hardy (Macmillan, 1920)
Moments of Vision (Macmillan, 1917)
Selected Poems of Thomas Hardy (Macmillan, 1916)
Satires of Circumstance (Macmillan, 1914)
Time's Laughingstocks (Macmillan, 1909)
The Dynasts (Macmillan, 1904)
Poems of the Past and the Present (Harper & Bros., 1902)

Letters
Jude the Obscure (Osgood McIlvaine & Co., 1895)
Tess of the D'Urbervilles (Osgood McIlvaine & Co., 1891)
The Woodlanders (Harper & Bros., 1887)
The Mayor of Casterbridge (J. W. Lovell, 1886)
Two on a Tower (J. W. Lovell, 1882)
A Laodicean (Harper & Bros., 1881)
The Trumpet Major (Henry Holt & Co., 1880)
The Return of the Native (Henry Holt & Co., 1878)
Far from the Madding Crowd (Smith, Elder & Co., 1876)
The Hand of Ethelberta (Henry Holt & Co., 1876)
A Pair of Blue Eyes (Henry Holt & Co., 1873)
Under the Greenwood Tree (Tinsley Brothers, 1872)
Desperate Remedies (Tinsley Brothers, 1871)

I Found Her Out There

Thomas Hardy, 1840 - 1928

I found her out there
On a slope few see,
That falls westwardly
To the salt-edged air,
Where the ocean breaks
On the purple strand,
And the hurricane shakes
The solid land.

I brought her here,
And have laid her to rest
In a noiseless nest
No sea beats near.
She will never be stirred
In her loamy cell
By the waves long heard
And loved so well.

So she does not sleep
By those haunted heights
The Atlantic smites
And the blind gales sweep,
Whence she often would gaze
At Dundagel's famed head,
While the dipping blaze
Dyed her face fire-red;

And would sigh at the tale
Of sunk Lyonesse,
As a wind-tugged tress
Flapped her cheek like a flail
Or listen at whiles
With a thought-bound brow
To the murmuring miles
She is far from now.

Yet her shade, maybe,
Will creep underground
Till it catch the sound
Of that western sea
As it swells and sobs
Where she once domiciled,
And joy in its throbs
With the heart of a child. 

This poem is in the public domain.

This poem is in the public domain.

Thomas Hardy

Thomas Hardy

Thomas Hardy, whose books include Tess of the d'Urbervilles and Jude the Obscure, was one of the most influentual novelists and poets of England's Victorian era.

by this poet

poem
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town? 
And whence such fair garments, such prosperi-ty?"--
"O didn't you know I'd been ruined?" said she.

--"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you'
poem
They sing their dearest songs—
He, she, all of them—yea,
Treble and tenor and bass.
And one to play;
With the candles mooning each face...
Ah, no; the years O!
How the sick leaves reel down in throngs!

They clear the creeping moss—
Elders and juniors-—aye,
Making the pathways neat
And the garden gay;
And they
2
poem

       Dishevelled leaves creep down
       Upon that bank to-day,
Some green, some yellow, and some pale brown;
       The wet bents bob and sway;
The once warm slippery turf is sodden
        Where we laughingly sat or lay.

        The summerhouse is gone,
        Leaving a