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About this poet

Jennifer Elise Foerster is the author of Bright Raft in the Afterweather (University of Arizona Press, 2018) and Leaving Tulsa (University of Arizona Press, 2013). A member of the Muscogee (Creek) Nation of Oklahoma, Foerster has received a Lannan Foundation Writing Residency Fellowship, a National Endowment for the Arts fellowship, and a Wallace Stegner Fellowship in Poetry at Stanford University. She lives in San Francisco.

Hoktvlwv’s Crow

There were still songbirds then
nesting in hackberry trees
and a butterfly named Question.

I remember ivy trembling
at the vanishing point of your throat.

Then the timelines crashed.
California split into an archipelago.
Orchards withered under blooms of ash.

Now there is no nectar. No rotten fruit.
The air is quiet.

                               Once, in Russia,
Ornithologists trapped
a population of hooded crows,
transported them 500 miles
westward. Winter came.
They never caught up with their flock.

With crusts of calcified algae
we catalogue each day lost:
hot thermals, cirrus vaults,
fistfuls of warblers hurtling into dark.

There was no sound to the forgetting.
We knew the heart would implode
before the breath and lungs collapsed.

That the world would end in snow,
an old woman walking alone,
empty birdcage strapped to her back.

Originally published in Past Simple. Copyright © 2016 by Jennifer Foerster. Used with the permission of the author.

Originally published in Past Simple. Copyright © 2016 by Jennifer Foerster. Used with the permission of the author.

Jennifer Foerster

Jennifer Foerster

Jennifer Elise Foerster is the author of Bright Raft in the Afterweather (University of Arizona Press, 2018) and Leaving Tulsa (University of Arizona Press, 2013). A member of the Muscogee (Creek) Nation of Oklahoma, Foerster has received a Lannan Foundation Writing Residency Fellowship, a National Endowment for the Arts fellowship, and a Wallace Stegner Fellowship in Poetry at Stanford University. She lives in San Francisco.

by this poet

poem

I abandoned my shoes at the corner
of Market & Pine. It was hailing.
We were holding tin pots above our heads.
Collecting the granulated wind
and singing. I don’t care
about my shoes, I said. The city was in ruins.
Pieces of fiberglass glittered in gutters
like particles of

poem

for Cosetta

Once there were coyotes, cardinals
in the cedar. You could cure amnesia
with the trees of our back-forty. Once
I drowned in a monsoon of frogs—
Grandma said it was a good thing, a promise
for a good crop. Grandma’s perfect tomatoes.
Squash. She taught us to

poem
As a child I tossed
all my imaginary friends
out the window of a fast moving train
because I wanted to feel my fist
break open as I freed them,
as each of their bodies
whipped against the siding,
their insides: snow
dispersing into wind,
their little heads rolling
across the yellow plains.

Because I believed