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About this poet

On September 10, 1886, Hilda Doolittle was born in Bethlehem, Pennsylvania. She attended Bryn Mawr, as a classmate of Marianne Moore, and later the University of Pennsylvania where she befriended Ezra Pound and William Carlos Williams.

She travelled to Europe in 1911, intending to spend only a summer, but remained abroad for the rest of her life.

Through Pound, H. D. grew interested in and quickly became a leader of the Imagist movement. Some of her earliest poems gained recognition when they were published by Harriet Monroe in Poetry.

Her work is characterized by the intense strength of her images, economy of language, and use of classical mythology. Her poems did not receive widespread appreciation and acclaim during her lifetime, in part because her name was associated with the Imagist movement even as her voice had outgrown the movement's boundaries, as evidenced by her book-length works, Trilogy and Helen in Egypt.

As Alicia Ostriker said in American Poetry Review, "H.D. by the end of her career became not only the most gifted woman poet of our century, but one of the most original poets—the more I read her the more I think this—in our language."

Neglect of H. D. can also be attributed to her times, as many of her poems spoke to an audience which was unready to respond to the strong feminist principles articulated in her work. She died in 1961.


Selected Bibliography

Poetry

Sea Garden (1916)
The God (1917)
Translations (1920)
Hymen (1921)
Heliodora and Other Poems (1924)
Hippolytus Temporizes (1927)
Red Roses From Bronze (1932)
The Walls Do Not Fall (1944)
Tribute to the Angels (1945)
Flowering of the Rod (1946)
By Avon River (1949)
Helen in Egypt (1961)
Hermetic Definition (1972)
Trilogy (1973)

Prose

Notes on Thought and Vision (1919)
Paint it Today (written 1921, published 1992)
Asphodel (written 1921-22, published 1992)
Palimpsest (1926)
Kora and Ka (1930)
Nights (1935)
The Hedgehog (1936)
Tribute to Freud (1956)
Bid Me to Live (1960)
End to Torment (1979)
HERmione (1981)
The Gift (1982)

Garden

I

You are clear
O rose, cut in rock,
hard as the descent of hail.

I could scrape the colour
from the petals
like spilt dye from a rock.

If I could break you
I could break a tree.

If I could stir
I could break a tree—
I could break you.


II

O wind, rend open the heat,
cut apart the heat,
rend it to tatters.

Fruit cannot drop
through this thick air—
fruit cannot fall into heat
that presses up and blunts
the points of pears
and rounds the grapes.

Cut the heat—
plough through it,
turning it on either side
of your path.

This poem is in the public domain.

This poem is in the public domain.

H. D.

H. D.

Born in 1886, Hilda Doolittle was one of the leaders of the Imagist movement.

by this poet

poem

You crash over the trees,
you crack the live branch—
the branch is white,
the green crushed,
each leaf is rent like split wood.

You burden the trees
with black drops,
you swirl and crash—
you have broken off a weighted leaf
in the wind,
it is hurled out,

poem

               I

The hard sand breaks,
And the grains of it
Are clear as wine.

Far off over the leagues of it,
The wind,
Playing on the wide shore,
Piles little ridges,
And the great waves
Break over it.

But more than the many-foamed ways
Of the sea,
I

poem

Helen herself seems almost ready for this sacrifice--at least, for the immolation of herself before this greatest love of Achilles, his dedication to "his own ship" and the figurehead, "an idol or eidolon . . . a mermaid, Thetis upon the prow."

Did her eyes slant in the old way?
was she Greek or