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About this poet

Lynn Emanuel was born in Mt. Kisco, New York, on March 14, 1949. She has an MFA from the University of Iowa, an MA from City College of New York, and a BA from Bennington College.

She is the author of five books of poetry: The Nerve of It: Poems New and Selected (University of Pittsburgh Press, 2015), winner of the 2016 Lenore Marshall Poetry PrizeNoose and Hook (University of Pittsburgh Press, 2010); Then, Suddenly (University of Pittsburgh Press, 1999), which was awarded the Eric Matthieu King Award from the Academy of American Poets; The Dig (University of Illinois Press, 1992), which was selected by Gerald Stern for the National Poetry Series; and Hotel Fiesta (University of Georgia Press, 1984).

About The Nerve of It: Poems New and Selected, Lenore Marshall Poetry Prize judges Amy Gerstler, Reginald Gibbons, and Kimiko Hahn wrote: “Every poem in Lynn Emanuel’s The Nerve of It brims with unfailing invention and virtuoso wordcraft. This volume of new and selected poems is a beautifully integrated whole, the arc of a life: heady, bold, vivid, sexy, intensely envisioned, metaphorically brilliant. The Nerve of It is a witty and courageous body of work.

In his review of Noose and Hook, David St. John wrote: “I have long believed that Lynn Emanuel is one of the most innovative and subversive poets now writing in America. Her aesthetic and artistic choices consistently invoke a complex hybrid poetics that radically reimagines the shape of our poetic discourse."

Her honors include two fellowships from the National Endowment for the Arts and a fellowship from the Civitella Ranieri Foundation. Emanuel has taught at Bennington College, Vermont College, and Warren Wilson College, among others. She is currently a professor of English and Creative Writing at the University of Pittsburgh.


Bibliography

The Nerve of It: Poems New and Selected (University of Pittsburgh Press, 2015)
Noose and Hook (University of Pittsburgh Press, 2010)
Then, Suddenly— (University of Pittsburgh Press, 1999)
The Dig (University of Illinois Press, 1992)
Hotel Fiesta (University of Georgia Press, 1984)
 

The Burial

After I've goosed up the fire in the stove with Starter Logg 
so that it burns like fire on amphetamines; after it's imprisoned, 
screaming and thrashing, behind the stove door; after I've 
listened to the dead composers and watched the brown-plus-gray 
deer compose into Cubism the trees whose name I don't know 
(pine, I think); after I've holed up in my loneliness staring 
at the young buck whose two new antlers are like a snail's 
stalked eyes and I've let this conceit lead me to the eyes-on-stems 
of the faces of Picasso and from there to my dead father; after I've 
chased the deer away (they were boring, streamlined machines 
for tearing up green things, deer are the cows-of-the-forest); 
then I bend down over the sea of keys to write this poem 
about my father in his grave.

It isn't easy. It's dark in my room, the door is closed, 
all around is creaking and sighing, as though I were in the hold 
of a big ship, as though I were in the dark sleep
of a huge freighter toiling across the landscape of the waves 
taking me to my father with whom I have struggled 
like Jacob with the angel and who heaves off, one final time, 
the muddy counterpane of the earth and lies panting 
beside his grave like a large dog who has run a long way.

This is as far as he goes. I stand at the very end 
of myself holding a shovel. The blade is long and cool;
It is an instrument for organizing the world; the blade is 
drenched in shine, the air is alive along it, as air is alive 
on the windshield of a car. Beside me my father droops
as though he were under anesthesia. He is so thin, 
and he doesn't have a coat. My left hand grows 
cool and sedate under the influence of his flesh. 
It hesitates and then...

My father drops in like baggage into a hold. 
In his hands, written on my stationery, a note 
I thought of xeroxing: Dad, I will be with you, 
through the cold, dark, closed places you hated.
I close the hinged lid, and above him I heap a 
firmament of dirt. The body alone, in the dark, 
in the cold, without a coat. I would not wish that on my 
greatest enemy. Which, in a sense, my father was.

From Then, Suddenly--, by Lynn Emanuel. Copyright © 1999. All rights reserved. Reproduced by permission of the University of Pittsburgh Press. Available at local bookstores or directly from the University of Pittsburgh Press:
c/o CUP Services
Box 6525
Ithaca, NY 14851
Phone orders: 607-277-2211
Fax orders: 607-227-6292

From Then, Suddenly--, by Lynn Emanuel. Copyright © 1999. All rights reserved. Reproduced by permission of the University of Pittsburgh Press. Available at local bookstores or directly from the University of Pittsburgh Press:
c/o CUP Services
Box 6525
Ithaca, NY 14851
Phone orders: 607-277-2211
Fax orders: 607-227-6292

Lynn Emanuel

Lynn Emanuel

Born in Mt. Kisco, New York, in 1949, Lynn Emanuel is the author of several books of poetry, including Then, Suddenly— (1999), which was awarded the Eric Matthieu King Award from the Academy of American Poets.

by this poet

poem
It's early morning. This is the "before,"
the world hanging around in its wrapper,
blowzy, frumpy, doing nothing: my 
neighbors, hitching themselves to the roles
of the unhappily married, trundle their three
mastiffs down the street. I am writing this
book of poems. My name is Lynn Emanuel.
I am wearing a
poem
I strolled through the neighborhood of beautiful houses
All of which I had written

Down the long dark street
Past the cemetery

Where all the tombstones
Had my small white face.

Over my shoulder burned the lamp
Of the moon.

The pages, in the wind, flew, were fluffed and ruffled
Like water by stones into a
poem

 

I’ve never longed for the annulments of Heaven,
nor for Hell, that orgy of repenting,
but have wanted the loneliness of this
slender room and bed, the cool neatness
of being dead: to be reduced, cleaned out,
a manageable mess, nothing left but knobs
and buttons, the skull an