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poems

poem

                       in memoriam Cecil Young

I am addicted to words, constantly ferret them away
in anticipation. You cannot accuse me of not being prepared.
I am ready for anything. I can create an image faster than

just about anyone. And so, the crows blurring

poem

I gaze at the Pacific and don’t expect
to ever see the heads on Easter Island,

though I guess at sunlight rippling
the yellow grasses sloping to shore;

yesterday a doe ate grass in the orchard:
it lifted its ears and stopped eating

when it sensed us watching from

poem
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind

texts

text
Poetic Terms/Forms
2014

couplet: The couplet, two successive lines of poetry, usually rhymed (aa), has been an elemental stanzaic unit—a couple, a pairing—as long as there has been written rhyming poetry in English. It can stand as an epigram­matic poem on its own, a weapon for aphoristic wit, as in Pope’s “Epigram Engraved on the Collar of a Dog which I gave to his Royal Highness” (1734):

I am his Highness’ Dog at Kew;
Pray tell me Sir, whose Dog are you?

The couplet also serves as an organizing pattern in long poems (Shake­speare’s “Venus and Adonis,” 1592–1593; Marlowe’s “Hero and Leander,” 1593) or part of a larger stanzaic unit. It stands as the pithy conclusion to the ottava rima stanza (abababcc), the rhyme royal stanza (ababbcc), and the Shakespearean sonnet (ababcdcdefefgg).

The rhyming iambic pentameter or five-stress couplet—later known as the heroic couplet—was introduced into English by Chaucer in “The Prologue to the Legend of Good Women” (

text
Poetic Terms/Forms
2014

stanza: The natural unit of the lyric: a group or sequence of lines arranged in a pattern. A stanzaic pattern is traditionally defined by the meter and rhyme scheme, considered repeatable throughout a work. A stanzaic poem uses white space to create temporal and visual pauses. The word stanza means “room” in Italian— “a station,” “a stopping place”—and each stanza in a poem is like a room in a house, a lyric dwelling place. “The Italian etymology,” Ernst Häublein points out in his study of the stanza, “implies that stanzas are subordinate units within the more comprehensive unity of the whole poem.” Each stanza has an identity, a structural place in the whole. As the line is a single unit of meaning, so the stanza comprises a larger rhythmic and thematic sequence. It is a basic division comparable to the paragraph in prose, but more discontinuous, more insistent as a separate melodic and rhetorical unit. In written poems stanzas are separated by white space, and this division on

text
for Children
2016

The following is a selection of poems kids love. Many of these poems are especially suitable for younger children and students in elementary school.

read more poems for kids

 

Antigonish [I met a man who wasn't there] by Hughes Mearns
Yesterday, upon the stair,
I met a man who wasn’t there...


At the Zoo by William Makepeace Thackeray
First I saw the white bear, then I saw the black;
Then I saw the camel with a hump upon his back;...
 

Be Glad Your Nose Is on Your Face by Jack Prelutsky
Be glad your nose is on your face,
not pasted on some other place,...

Bleezer's Ice Cream by Jack Prelutsky
I am Ebenezer Bleezer,
I run BLEEZER’S ICE CREAM STORE,...

Clouds by Christina Rossetti
White sheep, white sheep,
On a blue hill,...

Dream Variations by Langston Hughes
To fling my arms wide
In some place of the sun,...

Eletelephony by Laura Elizabeth

books

book
Children's Book
2017
Out of Wonder: Poems Celebrating Poets
book
Children's Book
2017
book
Textbook
2014
A Poet's Glossary