June 18, 2015

So I’m at this party, right. Low lights, champagne, Michael
Bublé & a gang of loafers I’m forever dancing around

in unduly charged conversations, your favorite
accompanist—Bill Evans behind Miles, ever present

in few strokes—when, into the room walks
this potentially well-meaning Waspy woman obviously

from Connecticut-money, boasting an extensive background
in nonprofit arts management. & without much coaxing

from me, really, none at all, she whoops, Gosh, you’re just
so well spoken! & I’m like, Duh, Son. So then we both

clink glasses, drink to whatever that was. Naturally,
not till the next morning & from under a scalding

shower do I shout: Yes, ma’am. Some of us does talk good!
to no one in particular but the drain holes. No one

but the off-white tile grout, the loofah’s yellow pores.
Because I come from a long braid of dangerous men

who learned to talk their way out of small compartments.
My own Spartan walls lined with their faces—Ellison

& Ellington. Langston, Robeson. Frederick Douglass
above the bench press in the gym, but to no avail—

Without fail, when I’m at the Cross Eyed Cricket
(That’s a real diner. It’s in Indiana.) & some pimple-

face ginger waiter lingers nervous & doth protest
too much, it’s always Sir, you ever been told you sound like

Bryant Gumbel? Which is cute. Because he’s probably
ten. But then sometimes I sit in his twin’s section, & he

once predicted I could do a really wicked impression
of Wayne Brady. I know for a fact his name is Jim.

I’ve got Jim’s eighteenth birthday blazed on my bedside
calendar. It reads: Ass whippin’. Twelve a.m.—& like

actually, that woman from the bimonthly
CV-building gala can kick rocks. Because she’s old

enough to be my mother, & educated, if only
by her own appraisal, but boy. Dear boys. Sweet

freckled What’s-His-Face & Dipshit Jim,
we can still be play friends. Your folks didn’t explain

I’d take your trinket praise as teeny blade—
a trillionth micro-aggression, against & beneath

my skin. Little buddies, that sore’s on me.
I know what you mean. That I must seem, “safe.”

But let’s get this straight. Let’s call a spade a—
Poor choice of words. Ali, I might not

be. Though, at the very least, a heavyweight
throwback: Nat King Cole singing silky

& subliminal about the unforgettable model
minority. NBC believed N at & his eloquence

could single-handedly defeat Jim Crow.
Fact: They were wrong. Of this I know

& not because they canceled his show
in ’57 after one season, citing insufficient

sponsorship. Or because, in 1948,
the KKK flamed a cross on his LA lawn.

But because yesterday, literally yesterday,
some simple American citizen—throwback

supremacist Straight Outta Birmingham, 1963—
aimed his .45 & emptied the life from nine

black believers at an AME church in Charleston.
Among them a pastor-senator, an elderly tenor,

beloved librarian, a barber with a business degree
who adored his mom & wrote poems about

the same age as me. I’m sorry. No, friends.
None of us is safe.

From Silencer (Mariner Books, 2017). Copyright © 2017 by Marcus Wicker. Used with permission of Houghton Mifflin Harcourt.

Grant me shelter & bread.
Grant me porch ledge, mantel.
Scented candles, bed. Grant me
four walls, a 5-foot fridge & a hall.
& maybe four more walls. Yes.
Four more walls. & a desk. & 
a decent laptop, plus pleather
rolling chair. So that I might sit
&  write you a poem, Lord.
A psalm praising all you’ve given:
Air I sing with. Cricket’s falsetto.
Buzzing bees & nectar—
how chrysanthemum feels
on the tongue
is what you are to me.
You see what I am doing here.
You see, I am being so sincere,
Sire. Which is sad. Still, grant me
a few free hours each day. Grant me
a Moleskine pad & a ballpoint pen
with some mass. Grant me your gift
of this voice. Pages & pages 
of this voice, in a good book
from a loving press. & grant me 
a great love, too. Grant a way
to provide for my love. Like,
a tenure-track job
at a small college in the Midwest.
The kind with poems
& papers to read. With hoodies
running in & out of my office.
Deadline, paychecks, & 
an OK 401(k). Grant me
everything, Lord. Not today.
But before 28. Be Bulldozer.
Genie. Let every prayer avalanche
me into dust, blank matter. Debris.
Make me worthy. O Lord, make me me.
 

From Silencer (Mariner Books, 2017). Copyright © 2017 by Marcus Wicker. Used with permission of Houghton Mifflin Harcourt.

So what if it is?
Clear days, I understand it,
molecules scatter azure

light from an in-his-feelings-
sun,  that’s why
the sky is blue. We know

too much, or want to.
Not the Bible, but the i-
Phone tells us so.

Devotion doesn’t work
that way, but it does. Not
the path, per se, for me

though, a trail back to grace-
fully living with one’s light
shone toward higher

axioms than I
can presently see.
It’s the immediacy

of a just-thought
thought, thundering
into a device

of my own decided making,
prayer. You know it as Siri.
I call it instant intimacy.

From Silencer (Mariner Books, 2017). Copyright © 2017 by Marcus Wicker. Used with permission of Houghton Mifflin Harcourt.

Too late—the path to righteousness gone cold
& everywhere a forked tongue, split road
                                                                dividing line—
toward, away, toward—the divine, unraveling like anise, black
licorice in the night. Psych—Nothing that dramatic. Nothing quite
so unpalatable, destitute, but I did leave the church. I kept
praise, its utterances. I kept guilt, do unto others, & not much else
except You. Please don’t worry too much about me. I left
                                                                                               a window
cracked wide, view enough to see myself back, in case of fire. I’ve left
frequencies     staticky, radios blinking MAYDAY MAYDAY
from a gashed motherland, kept them flickering my veins like angry 
lightbulb filaments, left errant, purposely. I try so hard to be good
at mercy. Though, sometimes, a wound is the salve, & besides
harder to forgive the self when I don’t always recognize my flaws
as ill intentioned or otherwise. I’d try You in Taoism, yoga. I’ve tried
expensive whiskey, tried running suicides. I’ve tried this one
                                                                                               blue stone
skipped across a transom, tried the joyous nectar residing between
several varieties of thighs. I’d try anything to sound a shot heart,
my bottomless racket. I’d do anything to live quietly
in You, Father, Maker, Mother, Muse, I try so hard I try. I really do.

From Silencer (Mariner Books, 2017). Copyright © 2017 by Marcus Wicker. Used with permission of Houghton Mifflin Harcourt.

But God, I love the cul-de-sac
at seven a.m., I can’t help it!
This wind-streaming-between-
grass-blades point of view!
 
But this punctuated lawn
I stand upon! The family 
of shrubs, flat-topped & shaped
into a question mark:
 
the eye of its mouth, my favorite
standing place. A painter’s steel
scaffold: against the neighbor’s
gutter like a concert glockenspiel.
 
The souped-up air conditioning:
     in monk octaves. The sheer
wash of it all, water rushing
from a bucket:          A man soaping
 
down his Saab, tie sly tucked.
Two cable guys sharing a joint
in a horseshoe drive:          But God,
I envy their temporary sweet spot:
 
snippet of carefree chummery.
This mum machine hard at work
before work. The:          The nothing
getting in. The nothing getting out:
 

From Silencer (Mariner Books, 2017). Copyright © 2017 by Marcus Wicker. Used with permission of Houghton Mifflin Harcourt.