The manner in which we are present at this time to and fro
appears, we come to point of view before us
The matter is here
Can we share its kind of existence?
"I" moving about unrolled barking at blue clouds
devoted—to each other? to hasten to the point?
to evade anxiety? to picture?
Having awkward heaviness "I" never moves freely about
unless passing and happening accompanied
Our pleasure is perplexed beyond that
If we thrill to low hills because they are not composed
they are "composed to our liking"
They say there is no defining that but to say that is
defining that, living in context
One would think of all the social forces traveling with a show
of indifference over a crowd or sound
brought to a sound
A good person would be starred ill and well in a life he or
she couldn’t know how to refuse
Every day we may never happen on the object hung on
a mere chance
When and where one happens it will surprise us not in itself
but in its coming to our attention not as something
suddenly present but as something that’s been near for
a long time and which we have only just noticed
When we might ask did we begin to share that existence
What have we overlooked
Nostalgia is another name for one’s sense of loss at the
thought that one has sadly gone along happily
overlooking something, who knows what
Perhaps there were three things, no one of which made
sense of the other two
A sandwich, a wallet, and a giraffe
Logic tends to force similarities but that’s not what we
mean by "sharing existence"
The matter is incapable of being caused, incapable of not
being so, condensed into a cause—a bean, captive forever
Perhaps
Because this object is so tiny
A store of intellect, a certain ethical potential, something
that will hold good
Like ants swarming into pattern we get to the middle
of the day many distinct sensations that must be it
Music checks the relaxation the contrasting aspects
constantly changing set going
The ceaseless onset cuts this recognized sensation hurrying
after it alive
It seems we’ve committed ourselves
That something exists at all is its nakedness we could term
fate and rising curves fate
That it should succeed already has been determined
And we have only to add on to it everything and everyone
associated with it from beginning to end sustaining
familiar acts
One is stung by a bee and it is noticeable that the whole
body is involved
Why isolate part of the field?
Say we look on a mountain scene changing colors,
the walls of a room vividly experienced from inside it
Why speak as if there were some incompatibility
Of what would it consist
Even after the closeness of the room which is now vacant
I rise at the thought of the future of
all the positions of things and re-enter the room
What is the Greek word for that, the big chance for each
event—kairos?
Normally we don’t notice that things we use in being
accessible are being set aside while the extra, superfluous
ones remain material one can disturb
Once one’s caught in it one can make a face which nothing
delimits from you, from me, from us
The face facing—how succinct!
There the never resting emphasis rests splitting all the
probabilities converge
Do they have witnesses?
Tsvetaeva warns us: it can happen that "income tragically
exceeds expenditure," she says or rather it will happen
that one can’t find a way to spend as
much life as accumulates to one
We care in time, scatter acts in accord with time supporting
action
Does death sever us from all that is happening finitude
Yes, swim it does
I the wall saw it
We the wall
I’m often ambivalent, the artistic will being weak as well
as strong about being seen heard understood
Whatever I see in thought as life I come to coming to me
in history
At first glance?
What could we, mind wandering but never ‘free,’ do with
the word ‘galactic’
Events are unscrolling, they cover my eyes, all familiarity naked
Launched, I need either clothes or a bed and a blanket to
protect my nature from nature’s pranks
A dream unless you saw it too, which would throw the stop
and start of sleep into question and deprive us of the
knowledge of the comfort of the knowledge that we can
sleep troubling us together side by side
Ever beginners until all is margin, warm and flat
How the near becomes far and the far becomes near we
may try to discover but we shouldn’t take the question
too seriously
Stop and start doubtless is the very same as stop and start
doubtful
In a downpour we don’t count drops as no harm is done to
the causal chain we’re close to the ground to see each
other clearly
One can’t say that being human is voluntary but it does tell
a story that to another human won’t seem pointless
To another human one acts one intervenes
In the dream one is shivering, already shivering before the first
glimpse of the dream, shivering at the reality of the dream
A headache could happen to anyone, disappearance to
anything
This is that kind of life, that kind of world, and this is the
kind of place in which one can easily spend a dollar but
not easily on hay and not so easily see a toad, cod in the
woods in a dream we talk more to hear
You laugh?
I was going to speak of doom eager to resume consecutive
events plowing through the space surrounding them to
something now, no ellipsis, just mouth open in astonishment
or closed to suck quid and quod, that and what
Not proving but pointing not disappointed boldly taking
aim obliged to acknowledge I admit to being sometimes
afraid of the effort required for judgment, afraid of the
judgment required
That can happen only after that it has happened is ascertained,
if you can keep up, time can’t be banished, being real
In the world we see things together, the judgments have
been made, takes the chalk, draws the milky line
To say that the music pleases me is impersonal, also the great
skua, a dozen things singly through different mental
states, mental states here and there as if unknown to each
other things happen to them differently
They can’t anticipate each other but they aren’t innocent of
each other, the dead then alive knowing glances
Future detail of experience the same thing ours for nothing more than noting
that living harbors the half-desire for
anonymity self-consciousness diminishes within
Take fences—the mechanism of clocks harbors birds it
provides a narrow escape
A story requires resemblance and the results are bound to
include recognizable sounds in their totality as horns
and windmills and the story is ‘ours’
It turns over to today the body it contains, something
alone in whatever time across, being this of that,
tenderly trying to dispel the anxiety impeding
pleasurable run-on regeneration
Imagining ourselves under a gray sky shining so brightly
our eyes can’t establish any connections, a sky so bright
that the option of connection isn’t open, this puts us in
mind of beginnings that reason can motivate but not end
Searching out streets which allow for faster movement
through this impression of something short-lived we
can’t retreat, can’t know where we are
We fret as if demented by different events in the dissatisfied
chaos that make incompatible claims
We go no more than a few feet before we come upon the
obstacle punctually
Happiness is independent of us bound to its own
incompleteness sharply
The day has come with both rational and irrational aiming at it the
future fork and set of feathers
There is activity in a life, i.e. conduct asserts the power of
deliberating without knowing how a state of being is
brought into existence every so often often
The specific accident to specify something never allowed to
settle completely
Then the shout "I" and the response "me, too," the curiosity
grows
I can know you without yardstick or sleep, without analysis
and from near or far, but I can’t know you without myself
What were the chances I would land on a ladder is the
question at which I’m laughing to experience the reality
of what I myself am not
The closer expression comes to thought fearlessly to be
face-to-face would be to have almost no subject or the
subject would be almost invisible
And more is left than usefulness
It’s this that happiness achieves
The riddle happening hitherto before
What is not is now possible, a ponderable
You muse on musing on—so much now but you do
You can rearrange what the day gets from accidents but
you can’t derive its reality from them
The dot just now adrift on the paper is not the product of
the paper dark
Nearly negative but finite it springs from its own shadow
and cannot be denied the undeniable world once it is
launched—once it’s launched it’s derived
Tonight sounding roughly it isn’t quite that only words can
reason beyond what’s reasonable that I drop my eyes to
Something comes
The experiences generated by sense perception come by the
happenstance that is with them
Experiences resulting from things impinging on us
There is continuity in moving our understanding of them as they appear
Some which are games bring with them their own rules for
action which is a play we play which we may play with
an end we value not winning
The dilemmas in sentences form tables of discovery of
things created to create the ever better dilemma which is
to make sense to others
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