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About this poet

On March 27, 1926, Frank (Francis Russell) O'Hara was born in Maryland. He grew up in Massachusetts, and later studied piano at the New England Conservatory in Boston from 1941 to 1944. O'Hara then served in the South Pacific and Japan as a sonarman on the destroyer USS Nicholas during World War II.

Following the war, O'Hara studied at Harvard College, where he majored in music and worked on compositions and was deeply influenced by contemporary music, his first love, as well as visual art. He also wrote poetry at that time and read the work of Arthur Rimbaud, Stéphane Mallarmé, Boris Pasternak, and Vladimir Mayakovsky.

While at Harvard, O'Hara met John Ashbery and soon began publishing poems in the Harvard Advocate. Despite his love for music, O'Hara changed his major and left Harvard in 1950 with a degree in English. He then attended graduate school at the University of Michigan, Ann Arbor, and received his MA in 1951. That autumn, O'Hara moved into an apartment in New York. He was soon employed at the front desk of the Museum of Modern Art and began to write seriously.

O'Hara's early work was considered both provocative and provoking. In 1952, his first volume of poetry, A City in Winter, attracted favorable attention; his essays on painting and sculpture and his reviews for ArtNews were considered brilliant. O'Hara became one of the most distinguished members of the New York School of poets, which also included Ashbery, James Schuyler, and Kenneth Koch.

O'Hara's association with painters Larry Rivers, Jackson Pollock, and Jasper Johns, also leaders of the New York School, became a source of inspiration for his highly original poetry. He attempted to produce with words the effects these artists had created on canvas. In certain instances, he collaborated with the painters to make "poem-paintings," paintings with word texts.

O'Hara's most original volumes of verse, Meditations in an Emergency (1956) and Lunch Poems (1964), are impromptu lyrics, a jumble of witty talk, journalistic parodies, and surrealist imagery.

O'Hara continued working at the Museum of Modern Art throughout his life, curating exhibitions and writing introductions and catalogs for exhibits and tours. On July 25, 1966, while vacationing on Fire Island, Frank O'Hara was killed in a sand buggy accident. He was forty years old.


Selected Bibliography

Poetry

Poems Retrieved (City Lights Books, 2013)
Selected Poems (Knopf, 2008)
The Collected Poems of Frank O’Hara (1971)
In Memory of My Feelings (1967)
Love Poems (1965)
Lunch Poems (1964)
Second Avenue (1960)
Odes (1960)
Meditations in an Emergency (1956)
A City Winter, and Other Poems (1952)

Prose

The New Spanish Painting and Sculpture (1960)
Jackson Pollack (1959)

Drama

Collected Plays (1978)

Video: Having a Coke with You

Frank O'Hara, 1926 - 1966

 

from "USA: Poetry: Frank O'Hara" produced and directed by Richard Moore, for KQED and WNET. Originally aired on September 1, 1966.

from "USA: Poetry: Frank O'Hara" produced and directed by Richard Moore, for KQED and WNET. Originally aired on September 1, 1966.

Frank O'Hara

Frank O'Hara

Born on March 27, 1926, Frank O'Hara was one of the most distinguished members of the New York School of poets.

by this poet

poem
Now when I walk around at lunchtime
I have only two charms in my pocket
an old Roman coin Mike Kanemitsu gave me
and a bolt-head that broke off a packing case
when I was in Madrid the others never
brought me too much luck though they did
help keep me in New York against coercion
but now I'm happy for a time and
poem
Mothers of America
                               let your kids go to the movies!
get them out of the house so they won't know what you're up to
it's true that fresh air is good for the body
                                                              but what about the soul
that grows in darkness, embossed by
poem
Not you, lean quarterlies and swarthy periodicals
with your studious incursions toward the pomposity of ants,
nor you, experimental theatre in which Emotive Fruition
is wedding Poetic Insight perpetually, nor you,
promenading Grand Opera, obvious as an ear (though you
are close to my heart), but you, Motion