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About this poet

On September 17, 1883, William Carlos Williams was born in Rutherford, New Jersey. He began writing poetry while a student at Horace Mann High School, at which time he made the decision to become both a writer and a doctor. He received his MD from the University of Pennsylvania, where he met and befriended Ezra Pound.

Pound became a great influence on his writing, and in 1913 arranged for the London publication of Williams's second collection, The Tempers. Returning to Rutherford, where he sustained his medical practice throughout his life, Williams began publishing in small magazines and embarked on a prolific career as a poet, novelist, essayist, and playwright.

Following Pound, he was one of the principal poets of the Imagist movement, though as time went on, he began to increasingly disagree with the values put forth in the work of Pound and especially Eliot, who he felt were too attached to European culture and traditions. Continuing to experiment with new techniques of meter and lineation, Williams sought to invent an entirely fresh—and singularly American—poetic, whose subject matter was centered on the everyday circumstances of life and the lives of common people.

His influence as a poet spread slowly during the 1920s and 1930s, overshadowed, he felt, by the immense popularity of Eliot's "The Waste Land"; however, his work received increasing attention in the 1950s and 1960s as younger poets, including Allen Ginsberg and the Beats, were impressed by the accessibility of his language and his openness as a mentor. His major works include Kora in Hell (1920), Spring and All (1923), Pictures from Brueghel and Other Poems (1962), the five-volume epic Paterson (1963, 1992), and Imaginations (1970).

Williams's health began to decline after a heart attack in 1948 and a series of strokes, but he continued writing up until his death in New Jersey on March 4, 1963.

The Uses of Poetry

William Carlos Williams, 1883 - 1963
I've fond anticipation of a day
O'erfilled with pure diversion presently,
For I must read a lady poesy
The while we glide by many a leafy bay,

Hid deep in rushes, where at random play
The glossy black winged May-flies, or whence flee
Hush-throated nestlings in alarm,
Whom we have idly frighted with our boat's long sway.

For, lest o'ersaddened by such woes as spring
To rural peace from our meek onward trend,
What else more fit? We'll draw the latch-string

And close the door of sense; then satiate wend,
On poesy's transforming giant wing,
To worlds afar whose fruits all anguish mend.

First published in Poems (1909). This poem is in the public domain.

First published in Poems (1909). This poem is in the public domain.

William Carlos Williams

William Carlos Williams

Poet, novelist, essayist, and playwright William Carlos Williams is often said to have been one of the principal poets of the Imagist movement.

by this poet

poem
on getting a card
long delayed
from a poet whom I love
but

with whom I differ
touching
the modern poetic
technique

I was much moved 
to hear
from him if
as yet he does not

concede the point
nor is he
indeed conscious of it
no matter

his style 
has other outstanding
virtues
which delight me
poem

Oh strong-ridged and deeply hollowed
nose of mine! what will you not be smelling?
What tactless asses we are, you and I, boney nose,
always indiscriminate, always unashamed,
and now it is the souring flowers of the bedraggled
poplars: a festering pulp on the wet earth
beneath them.

poem
munching a plum on 
the street a paper bag
of them in her hand

They taste good to her
They taste good 
to her. They taste
good to her

You can see it by
the way she gives herself
to the one half
sucked out in her hand

Comforted
a solace of ripe plums
seeming to fill the air
They taste good to her