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About this Poem 

“This poem might be about seeing yourself from a distance, then imagining yourself in the future, then actually entering your own life.”

—D. Nurkse

The Summer of Reconciliation

D. Nurkse

1
They’re happy but don’t know it.
They think they’re bored and hate each other.

The other has forgotten the hammer and must pound
each triangular tent peg with a damp stone
that has a smooth underside but no flat plane,
and here the earth is granite or friable lichen.

The whoosh could be a horsefly, rain, or a powerboat.

They make love, and each gasps politely, each feels
that fat cloud is me, that drilled acorn was me,
but this person holding me is strange,
withholding as time itself.

2
At sunset the island lights up:					
a firefly, a Coleman lamp, a bed of coals.
                                        It’s there they will learn to be travelers,     
there where the flies know they are loud,
the hidden spring is aware of being cold.

They will get there by the teak rowboat,
worn almost to a thought, the gunwale splaying,
the strake shipping bilge and drowned lunar moths,
the old dog in the prow, watching through cataracts.
       
Beach with me on mica, in the tannin-dark inlet.

3
No, there is nothing here, a wisp of tarred rope,
a smashed teal egg, paths that lead to each other,
so you might walk to Quarry Cove and find only quartz.

But here the night makes its own darkness.

Like lake water, or the spine of a moss-green book,
our marriage closes over us.

Copyright © 2014 by D. Nurkse. Used with permission of the author. This poem appeared in Poem-A-Day on April 15, 2014. Browse the Poem-A-Day archive.

Copyright © 2014 by D. Nurkse. Used with permission of the author. This poem appeared in Poem-A-Day on April 15, 2014. Browse the Poem-A-Day archive.

D. Nurkse

by this poet

poem
In that lit window in Bushwick
halfway through the hardest winter
I cut plexiglass on a table saw,
coaxing the chalked taped pane
into the absence of the blade,
working to such fine tolerance
the kerf abolished the soft-lead line.
I felt your eyes play over me
but did not turn—dead people
were not allowed in
poem
We gave our dogs a button to sniff,
or a tissue, and they bounded off
confident in their training,
in the power of their senses
to re-create the body,

but after eighteen hours in rubble
where even steel was pulverized
they curled on themselves
and stared up at us
and in their soft huge eyes
we saw mirrored the
poem
We could not separate ourselves from our endless making.
We were always fabricating time, God, paradise, 
the bell-shaped lupines, the rough-grained elm
and smooth beech. We made the night sky from a rusty hinge,
the sea from a sigh and a bead of sweat. We made love
long before dawn. We constantly modified each