Surface the action of the day, a means of tracing the dynamic, so that a jitter of blue's sparked by little coals, sun a glimmer of the day's intent. He knows to trace an alphabet written on water is to surface the action of the day, a way of proceeding, entering into the never- to-be repeated, a way of
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Late August morning I go out to cut
spent and faded hydrangeas—washed
greens, russets, troubled little auras
of sky as if these were the very silks
of Versailles, mottled by rain and ruin
then half-restored, after all this time…
When I come back with my handful
I realize I’ve accidentally locked the door,
and can’t get back into the house.
The dining room window’s easiest;
crawl through beauty bush and spirea,
push aside some errant maples, take down
the wood-framed screen, hoist myself up.
But how, exactly, to clamber across the sill
and the radiator down to the tile?
I try bending one leg in, but I don’t fold
readily; I push myself up so that my waist
rests against the sill, and lean forward,
place my hands on the floor and begin to slide
down into the room, which makes me think
this was what it was like to be born:
awkward, too big for the passageway…
When I give myself
to gravity there I am, inside, no harm,
the dazzling splotchy flowerheads
scattered around me on the floor.
Will leaving the world be the same
—uncertainty as to how to proceed,
some discomfort, and suddenly you’re
—where? I am so involved with this idea
I forget to unlock the door,
so when I go to fetch the mail, I’m locked out
again. Am I at home in this house,
would I prefer to be out here,
where I could be almost anyone?
This time it’s simpler: the window-frame,
the radiator, my descent. Born twice
in one day!
In their silvered jug,
these bruise-blessed flowers:
how hard I had to work to bring them
into this room. When I say spent,
I don’t mean they have no further coin.
If there are lives to come, I think
they might be a littler easier than this one.