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So as Not to Distort

Hiromi Itō
I make shiratama
And take them to my man
I heat the sugar and form syrup
Put in the boiled dumplings
And cool them
I seal them tight
And take them
All the shiratama stick to the bottom
The surfaces of the shiratama are torn
Their round
Shapes are distorted
I scoop them up with a spoon
Hey!
Look!
Scoop them out
So they don't get distorted
I love shiratama best of all
Says my man, carrying the shiratama to his mouth
He closes his eyes and shows me how good they are
I love them more than you
I watch my man
Swallowing the shiratama
And lapping up the lukewarm syrup

I shake the sealed container and wrap it in cloth
Then the two of us
Bring together our syrupy mouths
Slide the palms of our hands
Moving them in the shape of love
But
You know 
I don't want to distort
I don't want to be left distorted
This is what I think, oh man, my man

I roll them up
Boil the shiratama, heat the syrup, then cool them
I roll into them
Heartrending hopes
Thick syrup
Smooth shiratama
My man swallows them down
Thick like saliva
Smooth like buttocks
How do they taste?

I don't want to distort you
He also thought in his heartrending way
I have reached him
The food I secrete
Secreted deep, deep
Into the man I love

From Killing Kanoko. Copyright © 2009 by Jeffrey Angles. Used with permission of Action Books.

From Killing Kanoko. Copyright © 2009 by Jeffrey Angles. Used with permission of Action Books.

Hiromi Itō

by this poet

poem
Childbirth was not dying nor defecating
Childbirth was just a very painful period
For the thirty-seven hours from beginning to end
I kept on bleeding just as if
I were having my period
I wanted to change my maxi pad, change it right away
I was constantly aware of my anus but
I knew I didn't have to defecate
The