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About this poet

Marianne Boruch is the author of eight poetry collections, including Cadaver, Speak (Copper Canyon Press, 2014). She teaches at Purdue University and in the graduate program for writers at Warren Wilson College. Boruch lives in West Lafayette, Indiana.

Snowfall in G Minor

Marianne Boruch
Overnight, it’s pow! The held note
keeps falling. And only seems
slow. Because it’s just 
frozen rain, what’s the big deal? the checker
in Stop and Shop told me.
                                           Save warmth
like stamps. The fade of their color
in the 1920s.  Airmail.  The pilot with his 
skin-tight goggle helmet on his 
miniature head could be 
snow-blind.
                           All heads are small. Mine’s
lost as a thimble 
in this weather. Where 
a finger should be and be 
sewing, every thought 
I ever thunk. 
                               Just this word
thunk. Never used. 
It lands, noisy
metal in a bucket. That’s
the last of it.  No echo
for miles of this
                              snowfall—as in 
grace, fallen from,
as in a great height, released
from its promise.

From Grace, Fallen From by Marianne Boruch. Copyright © 2008 by Marianne Boruch. Published by Wesleyan University Press. Used by permission of the publisher. All rights reserved.

Marianne Boruch

Marianne Boruch

Marianne Boruch is the author of eight poetry collections, including Cadaver, Speak (Copper Canyon Press, 2014). She teaches at Purdue University and in the graduate program for writers at Warren Wilson College. Boruch lives in West Lafayette, Indiana.

by this poet

poem
Everyone should have a little fugue, she says,
the young conductor 
taking her younger charges through
the saddest of pieces, almost a dirge
written for unholy times, and no, 
not for money.
                Ready? she tells them, measuring out 
each line for cello, viola, violin.
It will sound to you
not quite
poem
Because the body really 
is Mars, is Earth or Venus or the saddest downsized
Pluto, can be booked, bound, mapped then.
Or rendered like something off the bone, fat just under 
the animal skin, to lard, 
cheaper, quicker than butter, like stillness
belies restlessness, like every yes
was or will be not,
poem
when he knew nothing.  A leaf
looks like this, doesn’t it? No one
to ask. So came the invention
of the question too, the way all 
at heart are rhetorical, each leaf
suddenly wedded to its shade. When God 

knew nothing, it was better, wasn't it? 
Not the color blue yet, its deep 
unto black.  No color at