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About this poet

Poet and playwright Edna St. Vincent Millay was born in Rockland, Maine, on February 22, 1892. Her mother, Cora, raised her three daughters on her own after asking her husband to leave the family home in 1899. Cora encouraged her girls to be ambitious and self-sufficient, teaching them an appreciation of music and literature from an early age. In 1912, at her mother's urging, Millay entered her poem "Renascence" into a contest: she won fourth place and publication in The Lyric Year, bringing her immediate acclaim and a scholarship to Vassar College. There, she continued to write poetry and became involved in the theater. She also developed intimate relationships with several women while in school, including the English actress Wynne Matthison. In 1917, the year of her graduation, Millay published her first book, Renascence and Other Poems. At the request of Vassar's drama department, she also wrote her first verse play, The Lamp and the Bell (1921), a work about love between women.

After graduating from Vassar, Millay, whose friends called her "Vincent," moved to New York City's Greenwich Village, where she led a Bohemian life. She lived in a nine-foot-wide attic and wrote anything she could find an editor willing to accept. She and the other writers of Greenwich Village were, according to Millay herself, "very, very poor and very, very merry." She joined the Provincetown Players in its early days and befriended writers such as Witter Bynner, Edmund Wilson, Susan Glaspell, and Floyd Dell, who asked for Millay's to marry him. Millay, who was openly bisexual, refused, despite Dell's attempts to persuade her otherwise. That same year Millay published A Few Figs from Thistles (1920), a volume of poetry which drew much attention for its controversial descriptions of female sexuality and feminism. In 1923 her fourth volume of poems, The Harp Weaver, was awarded the Pulitzer Prize. In addition to publishing three plays in verse, Millay also wrote the libretto of one of the few American grand operas, The King's Henchman (1927).

Millay married Eugen Boissevain, a self-proclaimed feminist and widower of Inez Milholland, in 1923. Boissevain gave up his own pursuits to manage Millay's literary career, setting up the readings and public appearances for which Millay grew quite famous. According to Millay's own accounts, the couple acted liked two bachelors, remaining "sexually open" throughout their twenty-six-year marriage, which ended with Boissevain's death in 1949. Edna St. Vincent Millay died in 1950.


Selected Bibliography

Poetry

A Few Figs from Thistles (1920)
Collected Lyrics (1943)
Collected Poems (1949)
Collected Poems (1956)
Collected Sonnets (1941)
Conversations at Midnight (1937)
Distressing Dialogues (1924)
Fatal Interview (1931)
Huntsman, What Quarry? (1939)
Invocation of the Muses (1941)
Make Bright the Arrows (1940)
Mine the Harvest (1954)
Poem and Prayer for an Invading Army (1944)
Poems (1923)
Renascence and Other Poems (1917)
Second April (1921)
The Buck in the Snow (1928)
The Harp-Weaver and Other Poems (1923)
There Are No Islands Any More (1940)
Wine from These Grapes (1934)

Drama

Aria da Capo (1921)
Distressing Dialogues (1924)
The King's Henchmanv (1927)
The Lamp and the Bell (1921)
The Murder of Lidice (1942)
The Princess Marries the Page (1932)
Three Plays (1926)
Two Slatterns and a King (1921)


Multimedia

From the Image Archive

 

She Is Overheard Singing

Edna St. Vincent Millay, 1892 - 1950
Oh, Prue she has a patient man,
And Joan a gentle lover,
And Agatha's Arth' is a hug-the-hearth,­—
But my true love's a rover! 

Mig, her man's as good as cheese
And honest as a briar,
Sue tells her love what he's thinking of,­—
But my dear lad's a liar! 

Oh, Sue and Prue and Agatha
Are thick with Mig and Joan!
They bite their threads and shake their heads
And gnaw my name like a bone; 

And Prue says, "Mine's a patient man,
As never snaps me up," 
And Agatha, "Arth' is a hug-the-hearth,
Could live content in a cup," 

Sue's man's mind is like good jell­—
All one color, and clear­—
And Mig's no call to think at all
What's to come next year, 

While Joan makes boast of a gentle lad,
That's troubled with that and this;­—
But they all would give the life they live
For a look from the man I kiss! 

Cold he slants his eyes about,
And few enough's his choice,­—
Though he'd slip me clean for a nun, or a queen,
Or a beggar with knots in her voice,­ —

And Agatha will turn awake
While her good man sleeps sound,
And Mig and Sue and Joan and Prue
Will hear the clock strike round, 

For Prue she has a patient man,
As asks not when or why, 
And Mig and Sue have naught to do
But peep who's passing by, 

Joan is paired with a putterer
That bastes and tastes and salts,
And Agatha's Arth' is a hug-the-hearth,­—
But my true love is false!

This poem is in the public domain.

Edna St. Vincent Millay

Edna St. Vincent Millay

Poet and playwright Edna St. Vincent Millay was born in Rockland, Maine.

by this poet

poem
All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line 
Of the horizon, thin and fine,
Straight around till I was come
Back to where I'd started from; 
And all I saw from where I stood
Was three
poem
Safe upon the solid rock the ugly houses stand: 
Come and see my shining palace built upon the sand!
poem
I shall forget you presently, my dear,
So make the most of this, your little day,
Your little month, your little half a year,
Ere I forget, or die, or move away,
And we are done forever; by and by
I shall forget you, as I said, but now,
If you entreat me with your loveliest lie
I will protest you with my